【品名】：Bovey/珀薇面膜

【含量】：38g/片

【规格】：25*7片 保质期3年

【介绍】：

红色：红石榴祛黄亮采(丰富的石榴多肽与花青素精华帮助有效抗击氧化排出污垢祛除黄色，扫除肌肤疲劳暗哑)

蓝色：透明质酸极润保湿(携带大量水分的透明质酸分子超强保湿为肌肤注入充盈水分肌肤水嫩莹润饱满)

黄色：左旋VC光感嫩白(左旋VC具有极佳的亲肤性能被肌肤高效吸收中和肌肤自由基促进肌肤新生代谢抗击氧化)

白色：白百合清透纯白(有效赶走肌肤黯黄修复肌肤瑕疵，由内而外纯净通透，展现迷人光彩)

【适用皮肤】：适合各种肤质的肌肤

【功效】：8倍蚕丝精华，补水 保湿。有效赶走夫黯黄，修复肌肤瑕疵，由内而外纯净通透，展现迷人光彩。

【珀薇面膜怎么用】：

洁面后，在睡觉前均匀涂于面部整个轮廓，避开眼部唇部，自然吸收，可直接睡眠，无需清洗，每周使用2-3次

Bovey. 珀薇面膜有四种不同功效的面膜，因为我个人的脸有局部区域暗淡无光，通俗点说是暗黄，而且我脸上很干，所以选择的是珀薇的蓝盒面膜和红盒面膜

珀薇蓝盒保湿面膜敷过后感脚滋润 嫩滑 水嫩嫩的补水效果超贊

然后红盒呢主要就是祛黄，其实敷面膜要的就是坚持，因为我敷了两个星期效果就出来了，还是红蓝两盒搭用

另外和大家分享一下

珀薇黄盒功效：高效美白 密集修复

珀薇白盒呢：丰盈清透 丝滑嫩白

美妞们根据自己的情况选择吧

第二篇：Book review of The Three Musketeers

Book review of The Three Musketeers

Introduction of Alexandre Dumas:

Alexandre Dumas (born Dumas Davy de la Pailleterie, 24 July 1802 – 5 December 1870), also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later were originally published as serials. His novels have been adapted since the early twentieth century for

nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005, becoming a bestseller. It was published in English in 2008 as The Last Cavalier.

Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totaled 100,000 pages. In the 1840s, Dumas founded the Thé?tre Historique in Paris.

Born and raised in poverty, as his father died when he was four, Dumas faced discrimination because of his ethnic African ancestry, although he was

three-quarters French. Through his father, who was born in Saint-Domingue, he was the grandson of a French nobleman and a black slave. His mother was French. As a young man, Dumas' aristocratic rank helped him acquire work with

Louis-Philippe, Duke of Orléans.

With the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favor, and left France for Belgium. After several years, he moved on to Russia for a few years, before going to Italy. In 1861 he founded and published the newspaper, L'

Indipendente, which supported the Italian unification effort. In 1864 he returned to Paris.

Married, Dumas also had numerous affairs, said to total 40. He was known to have at least four illegitimate or "natural" children, including a boy named Alexandre Dumas after him. This son became a successful novelist and playwright, and was known as Alexandre Dumas, fils (son), while the elder Dumas became

conventionally known in French as Alexandre Dumas, père (father). Among his

affairs, in 1866 Dumas had one with Adah Isaacs Menken, an American actress then at the height of her career and less than half his age. Twentieth-century scholars have found that Dumas fathered another three natural children.

Early life

Dumas Davy de la Pailleterie (later known as Alexandre Dumas) was born in

Villers-Cotterêts in the department of Aisne, in Picardy, France. He had an older sister, Marie-Alexandrine (b. before 1798). Their father was Thomas-Alexandre Dumas, born in the French colony of Saint-Domingue (now Haiti), the mixed-race son of the marquis Alexandre-Antoine Davy de la Pailleterie, a French nobleman and général commissaire in the artillery of the colony, and Marie-Cessette Dumas, a slave who was of Afro-Caribbean ancestry. It is not known whether she was born in Saint-Domingue or in Africa (although the fact that she had a French surname probably means that she was Creole), nor is it known from which African people her ancestors came. Brought back to France by his father, Thomas-Alexandre was educated in a military school and joined the army as a young man. He married Marie-Louise ?lisabeth Labouret, the daughter of an innkeeper. He took his mother's name, Dumas, after a break with his father. Thomas-Alexandre was

promoted to general by the age of 31, the first of Afro-Antilles origin to reach that rank in the French army. He served with distinction in the French Revolutionary Wars. Although a general under Bonaparte in the Italian and Egyptian campaigns, Thomas-Alexandre had fallen out of favor by 1800 and requested leave to return to France. On his return, his ship had to put in to Sicily, where he and others were held as prisoners of war. During his two-year imprisonment, his health was ruined. At the time of Alexandre's birth, his father was impoverished.

The father died of cancer in 1806 when Alexandre was four. His widowed mother could not provide her son with much of an education, but Dumas read everything he could. His mother's stories of his father's bravery during the campaigns of the

Revolutionary Wars inspired the boy's vivid imagination. Although poor, the family had their father's distinguished reputation and aristocratic rank. In 1822, after the restoration of the monarchy, 20-year old Alexandre moved to Paris. He acquired a position at the Palais Royal in the office of Louis-Philippe, Duke of Orléans. Career

While working for Louis-Philippe, Dumas began writing articles for magazines and plays for the theatre. As an adult, he used his slave grandmother's surname of Dumas, as his father had as an adult. His first play, Henry III and His Courts,

produced in 1829 when he was 27 years old, met with acclaim. The next year his second play Christine was equally popular. These successes gave him sufficient income to write full-time.

In 1830 Dumas participated in the Revolution that ousted Charles X and replaced him on the throne with the Duke of Orléans. Dumas' former employer, he ruled as Louis-Philippe, the Citizen King. Until the mid-1830s, life in France remained

unsettled, with sporadic riots by disgruntled Republicans and impoverished urban workers seeking change. As life slowly returned to normal, the nation began to industrialize. An improving economy—combined with the end of press

censorship—made the times rewarding for Alexandre Dumas' literary skills. After writing additional successful plays, Dumas switched to writing novels.

Although attracted to an extravagant lifestyle and always spending more than he earned, Dumas proved to be an astute marketer. As newspapers were publishing many serial novels, in 1838 Dumas rewrote one of his plays as his first serial novel, Le Capitaine Paul. He founded a production studio, staffed with writers who turned out hundreds of stories, all subject to his personal direction, editing and additions. From 1839 to 1841, Dumas, with the assistance of several friends, compiled

Celebrated Crimes, an eight-volume collection of essays on famous criminals and crimes from European history. He featured Beatrice Cenci, Martin Guerre, Cesare and Lucrezia Borgia, as well as more recent events and criminals, including the cases of the alleged murderers Karl Ludwig Sand and Antoine Fran?ois Desrues, who were executed.

Dumas collaborated with Augustin Grisier, his fencing master, in his 1840 novel, The Fencing Master. The story is written as Grisier's account of how he came to witness the events of the Decembrist revolt in Russia. The novel was eventually banned in Russia by Czar Nicholas I, and Dumas was prohibited from visiting the country until after the Czar's death. Dumas refers to Grisier with great respect in The Count of Monte Cristo, The Corsican Brothers, and in his memoirs.

Dumas depended on numerous assistants and collaborators, of whom Auguste

Maquet was the best known. It was not until the late twentieth century that his role was fully understood. Maquet is known to have outlined the plot of The Count of Monte Cristo, and made substantial contributions to The Three Musketeers and its sequels, as well as to several of Dumas' other novels. Their method of working together was for Maquet to propose plots and write drafts. Dumas added the details, dialogues, and the final chapters. Maquet took Dumas to court to try to get authorial recognition and a higher rate of payment for his work. He was successful in getting more money, but not a byline.

Dumas' novels were so popular that they were soon translated into English and other languages. His writing earned him a great deal of money, but he was

frequently insolvent, as he spent lavishly on women and sumptuous living. (He has been found to have had a total of 40 mistresses.) In 1846 he had built a country house outside Paris at Port Marly, the large Ch?teau de Monte-Cristo, with an additional building for his writing studio. It was often filled with strangers and

acquaintances who stayed for lengthy visits and took advantage of his generosity. Two years later, faced with financial difficulties, he sold the entire property.

Dumas wrote in a wide variety of genres and published a total of 100,000 pages in his lifetime. He made use of experience, writing travel books after taking journeys, including those motivated by reasons other than pleasure. After King

Louis-Philippe was ousted in a revolt, Louis-Napoléon Bonaparte was elected as president. As Bonaparte disapproved of the author, in 1851 Dumas fled to Brussels, Belgium, which was also an effort to escape his creditors. He moved on to Russia about 1859, where French was the second language of the elite, and his writings were enormously popular. Dumas spent two years in Russia, before leaving to seek different adventure. He published travel books about Russia.

In March 1861 the kingdom of Italy was proclaimed, with Victor Emmanuel II as its king. Dumas traveled there and, for the next three years, participated in the

movement for Italian unification. He founded and led a newspaper, Indipendente. Returning to Paris in 1864, he published travel books about Italy.

"The Quadroon Chef": Caricature of Dumas by Amédée de Noé, emphasizing his African heritage

Despite Dumas' aristocratic background and personal success, the writer had to deal with discrimination related to his mixed-race ancestry. In 1843 he wrote a short novel, Georges, that addressed some of the issues of race and the effects of colonialism. His response to a man who insulted him about his African ancestry has become famous. Dumas said:

My father was a mulatto, my grandfather was a Negro, and my great-grandfather a monkey. You see, Sir, my family starts where yours ends.

Personal life

On 1 February 1840, he married the actress Ida Ferrier (born Marguerite-Joséphine Ferrand) (1811—1859). He had numerous liaisons with other women, and was known to have fathered at least four illegitimate children:

?

?

?

? Alexandre Dumas, fils, son of Marie-Laure-Catherine Labay (1794—1868), a dressmaker. He became a successful novelist and playwright. Marie-Alexandrine Dumas (5 March 1831—1878), the daughter of Belle Krelsamer (1803—1875). Marie-Alexandrine later married Pierre Petel. Mica?lla-Clélie-Josepha-?lisabeth Cordier (born 1860), the daughter of Emélie Cordier. Henry Bauer, the son of a woman whose surname was Bauer.

About 1866, Dumas had an affair with Adah Isaacs Menken, a well-known American actress less than half his age. She had performed her sensational role in Mazeppa in London. In Paris she had a sold-out run of Les Pirates de la Savanne and was at the peak of her success.

These women were among the total of Dumas' nearly 40 mistresses found by the scholar Claude Schopp, in addition to three more illegitimate children. He has been researching Dumas for decades, primarily his writings.

Death and legacy

Dumas later in his career.

At his death in December 1870, Dumas was originally buried at his birthplace of Villers-Cotterêts in the department of Aisne. His death was overshadowed by the Franco-Prussian War and later, changing fashions decreased his popularity. In the late twentieth century, scholars such as Reginald Hamel and Claude Schopp have caused a critical reappraisal and new appreciation of his art, as well as finding lost works.[2] These contributed to the ceremony in 2002 to reinter Dumas in the Panthéon de Paris, an honor reserved for the great in French culture.

?

? 1970, the Alexandre Dumas Paris Métro station was named in his honour. His country home outside Paris, the Ch?teau de Monte-Cristo, has been

restored and is open to the public as a museum.

Researchers have continued to find Dumas works in archives:

? In 2002, the scholar Reginald Hamel found Dumas' five-act play, The Gold

Thieves, in the Bibliothèque Nationale de France. It was published in France in 2004 by Honoré-Champion.

In 2002 for the bicentennial of Dumas' birth, the French President, Jacques Chirac, had a ceremony honoring the author by having his ashes reinterred at the mausoleum of the Panthéon of Paris, where many French luminaries were buried. The proceedings were televised: the new coffin was draped in a blue velvet cloth and carried on a caisson flanked by four mounted

Republican Guards costumed as the four Musketeers. It was transported

through Paris to the Panthéon. In his speech, President Chirac said: ?

"With you, we were D'Artagnan, Monte Cristo, or Balsamo, riding along the roads of France, touring battlefields, visiting palaces and castles—with you, we dream."[16] Chirac acknowledged the racism that had existed in France and said that the

reinterment in the Pantheon had been a way of correcting that wrong, as Alexandre Dumas was enshrined alongside fellow great authors Victor Hugo and Emile Zola. Chirac noted that, although France has produced many great writers, none has been so widely read as Dumas. His novels have been translated into nearly 100 languages. In addition, they have inspired more than 200 motion pictures.

? 2005, Dumas' last novel, The Knight of Sainte-Hermine, was published in

France in June of that year. Featuring the Battle of Trafalgar, Dumas

described a fictional character killing Lord Nelson. (In fact, he was killed by an unknown sniper.) Writing and publishing the novel serially in 1869, Dumas had nearly finished it before his death. It was the third part of the

Sainte-Hermine trilogy. Claude Schopp, a Dumas scholar, noticed a letter in an archive in 1990 that led him to discover the unfinished work. It took him years to research it, edit the completed portions, and decide how to treat the unfinished part. Schopp finally wrote the final two-and-a half chapters,

based on the author's notes, to complete the story. Published by Editions

Phébus, it sold 60,000 copies, making it a bestseller. Translated into English, it was released in 2006 as The Last Cavalier, and has been translated into other languages.

Schopp has since found additional material related to the Saints-Hermine saga. Schopp combined them to publish the sequel Le Salut de l'Empire in 2008. Plot summary

In 1625 d'Artagnan, a poor young nobleman leaves his family in Gascony and travels to Paris with the intention of joining the Musketeer of the Guard.

However, en route, at an inn in Meung-sur-Loire, an older man derides

d'Artagnan's horse and, feeling insulted, d'Artagnan demands to fight a duel with him. The older man's companions beat d'Artagnan unconscious with a pot and a metal tong that breaks his sword; his letter of introduction to Monsieur de Tréville, the commander of the Musketeers, is stolen. D'Artagnan resolves to avenge himself upon the man, who is later revealed to be the Comte de Rochefort, an agent of Cardinal Richelieu, who is in Meung to pass orders from the Cardinal to Milady de Winter, another of his agents.

Monument to Three Musketeers in Condom, France (by Zourab Tsereteli)

In Paris, d'Artagnan visits de Tréville at the headquarters of the Musketeers, but the meeting is overshadowed by the loss of his letter, and de Tréville refuses his application to join. From de Tréville's window, d'Artagnan sees Rochefort passing in the street below and rushes out of the building to confront him, but in doing so he separately causes offense to three of the Musketeers, Athos, Porthos, and Aramis, who each demand satisfaction; D'Artagnan must duel each of them in turn that afternoon.

When d'Artagnan prepares himself for the first of the three duels, he realizes that his counterparts are friends. But just as he and Athos begin to fight, Cardinal Richelieu's guards appear; they try to arrest the d'Artagnan and the three

musketeers for illegal dueling. Although outnumbered, the four men win the battle that follows. In the course of events, d'Artagnan duels and seriously wounds Jussac, one of the Cardinal's officers and a renowned fighter. After learning of this event, King Louis XIII appoints d'Artagnan to des Essarts' company of guards and gives him forty pistoles (currency).

D'Artagnan hires a servant, Planchet, finds lodgings, and, by decree of the King, joins Monsieur des Essart's company of Guards, a less prestigious regiment in which he must serve for two years before being considered for the Musketeers. Shortly after his landlord comes to see him to talk about his wife's kidnapping (she is released presently), he falls in love at first sight with his landlord's pretty young wife, Constance Bonacieux. She works for the Queen Consort of France, Anne of Austria, who is secretly conducting an affair with the Duke of Buckingham. The Queen has just received a gift from her husband Louis XIII, and trying to console her lover, she gives him the diamonds as a keepsake. Cardinal Richelieu, who tries to start a war between France and England, wants to reveal that. Quickly he organizes an event and talks the king into demanding that his wife wear the diamonds at this opportunity.

Constance doesn't succeed in sending her cowardly husband, who has been

manipulated by Richelieu, to London, but d'Artagnan and his friends decide to help. On their mission they are frequently attacked by the cardinal's henchmen and therefore only d'Artagnan and Planchet arrive in London (although Planchet does not accompany d'Artagnan to see Buckingham). In the process of getting to England, d'Artagnan is compelled to assault and nearly kill the Comte de Wardes, a friend of the Cardinal's, cousin to de Rochefort, and Milady's lover. Although two of the diamonds have been stolen by Milady, the Duke of Buckingham is able to provide replacements while delaying the thief's return to Paris. D'Artagnan is thus able to return a complete set of jewels to Queen Anne just in time to save her fa?ade of honor and receives from her a beautiful ring as an expression of her gratitude. Shortly afterwards, d'Artagnan attends a tryst with Madame Bonacieux, but she does not open her door. He notices signs of a struggle, and, asking about, discovers that de Rochefort and Monsieur Bonacieux, acting under the orders of the Cardinal, have assaulted and imprisoned her.

D'Artagnan looks after his friends, who have just recovered from their injuries. He brings them back to Paris and meets Milady de Winter officially. He recognizes her from Meung as one of the Cardinal's agents, but this does not deter him. D'Artagnan quickly develops a crush on the beautiful lady but learns from her handmaiden that she is in fact quite indifferent toward him. Later, though, after attending a tryst with her while pretending to be the Comte de Wardes (the lights are out), he also discovers a fleur-de-lis branded on Milady's shoulder, marking her as a felon.

D'Artagnan eludes her attempt on his life and is ordered to the siege of La Rochelle.

Milady fails continuously in killing d'Artagnan, and he is informed that the Queen has managed to save Constance from the prison. In an inn, the musketeers overhear the Cardinal asking Milady to murder the Duke of Buckingham (who supports the Protestant rebels at La Rochelle). He even gives her a categorical pardon in written form, but Athos takes it from her. The next morning, Athos, in search of a quiet place to talk, makes a bet that he, d'Artagnan, Porthos, and Aramis, and their

servants, Grimaud, Planchet, Mosqueton, and Bazin, can hold the St. Gervais bastion (captured by des Essarts' company shortly beforehand) for an hour. They get away after an hour and a half, killing 22 Rochellese in total, and finding a way to warn Lord de Winter and the Duke of Buckingham. Milady is imprisoned on arrival in England but soon seduces her guard, Felton (a fictionalization of the real John

Felton), and persuades him both to allow her escape and to kill Buckingham, which he does.

On her return to France Milady hides in a convent, where she discovers Constance Bonacieux is also staying. The naive Constance clings to Milady, who sees a chance to get back at d'Artagnan who has crossed her plans with his friends more than once, and fatally poisons Constance before d'Artagnan can retrieve her.

The Musketeers manage to find Milady before she can be rewarded and sheltered by Cardinal Richelieu. They come with an official executioner, put her to trial and sentence her to death. After her execution the four friends return to the siege of La Rochelle. They encounter the dodgy gentleman that has bothered d'Artagnan all the way. The Count of Rochefort arrests d'Artagnan and takes him straight to the Cardinal. When asked about Milady's fate, d'Artagnan can save himself by

delivering the Cardinal's endorsement, which had been written for Milady and certifies that the deeds of the carrier are by all means approved by the Cardinal. This does not in and of itself protect him, as it only makes the Cardinal laugh.

However, impressed with d'Artagnan's cheek and boldness, and secretly glad to be rid of the treacherous Milady, the Cardinal tears the letter of endorsement up and writes a new order, giving the bearer a promotion to lieutenant in de Treville's company of guards. The Cardinal states that anyone can take the order, but to keep in mind it was intended for d'Artagnan. He takes it to Athos, Porthos, and Aramis in turn, but each refuses it, proclaiming d'Artagnan the more worthy man.

The siege of La Rochelle ends in 1628, which also marks the end of the book. Aramis retires to a monastery, Porthos marries his wealthy mistress, and Athos serves in the Musketeers under D'Artagnan until 1631, when he retires to his mansion in the countryside.

The now four Musketeers meet again in Twenty Years After.

The book matters a lot

- Book review of The Three Musketeers

Before I wrote down my book review about The Three Musketeers, I have only read the of the “Bedside Lamp Series” searching the information of the author or learning the background of the work. Maybe the author of the “Bedside Lamp Series” had deleted much content of the book, I mean, maybe some important detail like environment description have been removed so when I read the book, I actually couldn’t feel a sense of shock or fashion that a masterpiece is supposed to have. I felt that it is just a common book. The plot of the book is so well-knit that makes me feel everything is well- organized. We needn’t worry about the protagonist, D’Artagnan’s safety because he’s the apple of God’s eye. The hero of the work could always survive the difficulties, safe and sound. Although some setback might appear in his way to success, he seems to be luckier. Anyway, the work has the happy ending just like an ordinary book. I was attracted by the plot when I was reading the book. But I almost forgot all of them when I finished it. May be because my literacy level hasn’t reach the international claim, I can’t feel impressed by it deeply.

But it’s delightful that I have learnt some interesting phrases from the book. When we use the phrase “well made” to describe a person that means the person has a good shape of stature, generally for men. At the time when I almost finished the book, I could understand the meaning of the sentence even if there were some unfamiliar words in it. I could figure out their meanings by the constitution of the words, just like to guess the meaning of Chinese character by the shape of it.

And now I want to talk about my impression of the book. In fact, I felt indignant when I was reading the book and I could not fell the power of the three musketeers or the protagonist. Although the bad role of the book, Milady, is a beautiful and charming, how can she entices all the men so easily? She made D’Artagnan submit to her good graces the first time she appeared and be willing to eliminate the interference of Lord de Wineer, Milady’s brother-in-law. And then, she immediately seduced D’Artagnan to make love with her as the reward of the revenge and made D’Artagnan repent for treating her as evil once. You ought to know that at that time D’Artagnan was indulging in Madame Bonacieux. Hereafter, she was put into prison and was guarded by Felton, who was said “quiet immune to the seductions of women”. But the result was that the officer believed her stretcher

and killed Duke of Buckingham for her. We all know that the Duke of Buckingham is the monarch of the country, how can he died so unceremoniously. At last, she covered her real identity and poisoned Madame Bonacieux. I feel that woman is so terrible while at the same time, so powerful. A secondary role can promote the development of the plot unexpectedly, which makes me misunderstand that the leading role was neither the three musketeers nor D’Artagnan but Milady. And Milady is the main character to grasp my attention and cause the undulation of my emotion.

The seductive siren makes me think of the notorious in ancient China. The beauties’ effect for overthrowing the regime can’t be ignored indeed though they might just be a minor part.

In ancient China, numerous leaders lost their country or political power because of beauty. “Not sacrifice for love.” may be the men’s innate character. When I was in senior high, once my biological teacher told us that men’s degree of evolution is about 0.3% lower than women’s. But never consider that 0.3% is negligible because the orangutan’s degree is about 1% lower than human’s. That is why compared to women, men seem more original. It obscurely tells us the truth that woman is the born weakness of the man. In addition, this kind of culture spreads throughout the past and present, beyond regions or countries. At least, this phenomenon appears in literature field.

In my opinion, Milady’s life is legend even though she was thrown into the river finally. Her life was short but she had influenced a lot. Because of her appearance, Athos felt disappointed about love and his family went downhill. Because of her appearance, D’Artagnan was unable to protect his beloved. Because of her appearance, Felton betrayed his host and killed Duke of Buckingham. As if all the stories happened just because of her. At the same time, on the other hand, what D’Artanan had done. He helped Anne of Austria to hide her personal relationship with Duke of Buckingham. Maybe there is something to do with the harmony between England and France. And he had put the malefic woman into death together with his friends. Compared to D’Artagnan’s life, Milady’s life seems to be more magical. What she did was absolutely evildoing but also big event.

So I am confused about the keynote of the work. Is it talking about a story how a group of men exposed the conspiracy of the woman who once fooled them and killed her finally? It is the matter of fact that that group of men couldn’t stop her conspiracy and let her succeed. She had killed a lot of people who were considered important and deserve protection. Is it showing that men only have brute force and can be easily used by others. Or effectively, the author supposed to express that no matter how clever a woman is ,she would finally be

wiped out by man once if she wants to revolt. Or maybe the author just wanted to tell us that “evil triumphs”.

There are many whys in my brain. Actually I wonder about every role’s life experience. I want to know more about Athos and his relationship with Milady. What appeals to me most is the process how Milady became an evil woman. I think every girl is a born angel. If she becomes a demon, there must be something happen to her. In addition, I don’t know the relationship between England and France at that time clearly. So I am determined to search for more information on the Internet and then read the Chinese translation of the original work. I really want to know the story in detail. But the “Bedside Lamp series” indeed provides us readers some reading convenience. Sometimes it might mislead us because some information that I think important isn't provided. Anyway I will figure out all that problems by myself, including why the author named the book “The Three Musketeers”. As far as I consider, the story just has little thing to do with them.

And now I am going to search more material and I wish I would fine something helpful.