Review of "you are my brother"
Finally, i made the decision to watch the tv series "you are my brother",which i have downloaded for several weeks. Frankly speaking, i often burned the mid-night oil to finish it, avoiding many trivial matters in the daytime. After thinking twice, i wanna write down what i thought about it.
Before watching the tv series, i have heard that it mainly describe the love story of ma xuejun and hua leilei. But i do not think so. Their story is just a clue of the tv series to help to move the plot forward. On the contrary, the story between maxuejin and hualeilei is the spot of light, which makes hualeilei as an onlooker in the play. Compared to the "feeling" that hualeilei shows to ma, the devotion of yingzi is more impressive and touching. In the end of the play, hua answers the question why she refused ma all the time. She says"i am afraid of you", which makes me cry than smile. However, during the ten years ma pursues hua, we always can find a cute "girl next door" besides ma . She pays no attention to the unrequited love（单恋）. When ma is sad, she will be the first one to comfort him; when ma is happy, she can make jokes with him, although she feels bitter in heart. Yingzi fell in love with ma when she was young. In her view, ma is a real man who she can rely on, but ma just treats her like sister. In the play, yingzi crys out"it is sad that we grow up in one yard",perhaps that is the problem.
What is the most touching is that yingzi holds fast to her love until she is 30. After knowing that ma's company bankrupted because of hua, this poor woman returns from shanghai to help him without any hesitation. Sometimes i feel that ma and yingzi are perfectly matched, with the same values and character. Thanks to the scenario(编剧), anyhow they come together and build a family after going through so many difficulties. In the end of the play, The family sits around the table to have dinner,smiles on their face,others envy. That happiness doesn't belong to hualeilei.
Yes, it is the timidity that makes hua lose her love. It is the negative acts that makes hua ruin her happiness.
"you are my brother" is a story happened in 1990s, the ear that many people go into business with money filled up in mind. The brotherhood and the beautiful love becomes splendid under human nature, giving people confidence and courage to face the frustration of life. We have undergone all this , and what difficulties cannot be overcome?
第二篇：4篇英文电影英文观后感
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Henry, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Henry tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Henry made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Henry with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Henry to let him rebuild his life by burning all their diaries and tapes, I cried for Henry’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Henry’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Henry tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple
father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton) illusions reaches Crown Prince Leopold (Rufus Sewell), the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel), assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti) is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?") literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along). (The song is even reprised during the closing credits, which itself is misbegotten in conception.)
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults