《超凡蜘蛛侠1》影评

纵然新的蜘蛛侠是在“旧酒新装”又何妨？英雄出场了，特效展现了，票房大卖了就是王道。新一版的蜘蛛侠从影片一开始就在很耐心地讲故事，影片开头一个很可爱的小男孩向我们诉说了他的坎坷的身世，父母的突然离去，彼得·帕克只能寄宿于叔叔的家中。一转眼数年过去了，羞涩的小男孩变成了一个文艺男青年（相机、眼镜控）。而父母抛下自己的原因一直是彼得挥之不去的心结。一次偶然的机会，彼得在整理旧物时发现了自己父亲的公文包，公文包里藏着一个和科特·康纳斯博士有关的秘密。困惑和好奇驱使比的来到了怪博士的办公大楼，机缘巧合下彼得侮辱了一个布满了蜘蛛的实验室，蜘蛛咬到了瘦弱的彼得，而更出乎彼得意料的是蜘蛛的液体已经在他的身体中扩散开来，彼得变成了怪异一个蜘蛛人。

但凡一个人有了超能力，首先想到的应该是自己所拥有的超能力的潜力值有多大，在惊喜感过后随即进入了困惑期，如何使用超能力？彼得的超能力起初适用范围很小，惩治一下欺负自己的同学，发泄发泄心中的闷气，追一下心仪的女孩儿。叔叔的意外死亡改变了彼得的观点——诚挚坏人、维护正义成了彼得的新的存在意义。在早日抓住杀害叔叔凶手的心里动机下，彼得用蜘蛛特有的灵敏、轻盈的特点帮助在夜间抓住了一个个街头犯罪者。

单单和平凡的人类过招，这位蜘蛛侠客就显得“大材小用”了。因而，电影在后半段出现了博士异化变形成的蜥蜴怪物，就此两栖动物和爬行动物的对决上演了。结局大家也不用猜，超级英雄电影的套路模式，对手在强大也不过是浮云。电影的结尾部分的剧情多少有点扯，倒数十秒拯救世界的剧情让我不免想起了《变形金刚3》《复仇者联盟》的类似情境。

值得称道的是，《超凡蜘蛛侠》中的夜景特效制作的还算赏心悦目。特别的，蜘蛛侠的红蓝相间的身躯穿梭于各个楼层之间的时候，有一种人猿泰山从森林穿越到了大都市的错觉。而我们诸位观影者也仿佛以蜘蛛侠的视角进行了一次特别的穿梭旅行。想来，当个蜘蛛侠也不错，被人崇拜是小，能在高空中尽展曼妙身姿，从不同角度欣赏不同角度的夜景才是真正的生活乐趣所在啊。（或许这位文艺气质很浓的“蜘蛛侠”应该也不忘随身带着相机的。)

新版蜘蛛侠的导演马克·韦布虽然擅长拍《和和莎莫的500天》之类的文艺爱情影片，但却在《超凡蜘蛛侠》中的爱对爱情故事的讲述着墨不是很多，男女主人公属于迅速坠入爱河的那种。或许是在超级英雄电影中，美女只是很好地起到了陪衬的作用吧（当然在对付坏人的关键时刻女主角的智力的重要性也不容忽视）。影片结尾的彩蛋告诉我

们肯定是要有续集的了，怪博士不是最终挡在蜘蛛侠面前的拦路虎，更可怕且未知的困境还要看下一集慢慢的讲来。

但愿新一代的蜘蛛侠会让人有兴趣追完，也希望安德鲁可以继续保持自己的苗条身材在夜空中卖萌、耍帅。

第二篇：蜘蛛侠3影评

Comment of flim- Spider Man 3

In recent days,I watched the film called “Spider Man 3”which was deeply looking forward to by many movie fans.It’s a wonderful science fiction film which is well worth enjoying. The great failing of Spider-Man 3 is that it failed to distract me from what a people Peter Parker is. He’s a superman to help people who are in trouble.And it lasts so deeply romance between Peter and the long-suffering Mary Jane . Faithful readers will recall that I found Spider-Man 2 the best superhero movie since Superman. But I made the mistake of declaring that was because the movie argue that what's wrong with a lot of other superhero story: They focus on the superpowers, and shortchange the humans behind them. This time, I desperately wanted Peter Parker to be short-changed. If I argued earlier that Bruce Wayne and Clark Kent were boring human beings, I had no idea how Peter would begin to wear on my nerves. And what's with Mary Jane? Here's a beautiful,talented actress good enough to star in a Broadway musical, and she has to put up with being trapped in a taxi suspended 80 stories in the air by alien spider webs. The unique quality of the classic comic books was that their teenagers had ordinary adolescent angst and insecurity. But if you are still dangling in taxicabs at age 20, you're a slow learner. If there is a Spider-Man 4 . "Spider-Man 3" to the large American-style American justice line, it provides some background under a continuation of this tradition. Director of the Song and Dance Drama introduction of a number of elements to make the movie tough transition soft lines. But many of them still exposed the shortage, such as the introduction of the three competitors make films delicate enough. Although the three competitors make the selling point of the film rich enough to describe the convincing. May is a long-time director of the restrictions on expression, that is to be regretted. The feelings expressed in the drama. Make no feelings lines, "Spider-Man 2" high. Directors may wish to use Parker and Harry's friendship elements to complement this part, it is regrettable that these were part of human nature to hide. The film's setup is effective and feels like a continuation of the previous Spider-Man stories. The most active action scene is the first one, as Harry and Peter tussle through the streets of New York. 1

Although Sandman's introduction is lame, Thomas Haden Church plays the character so movingly that might have been possible to ignore this plot device if it was the only weak one in the movie. The most obvious problem is Venom. He's a bad man. Not only is the creature poorly realized but its introduction into the story causes everything to be crowded, rushed, and overlong. Spider-Man 3 feels like it should end around the 1:40 mark, but like the Energizer Bunny on an anger, it keeps going. Compared to the other two movies in the series, this one is so different. It's for completists only, and even they are likely to feel let down. Spider-Man and the first result were easy adventures. Spider-Man 3 is a chore. The effective moments require a lot patience to discover and some of what has to be moved to get to them is not worth the effort. People love the scene which is stey by stey because it's said that good things come in threes, but this series would have looked better and felt more satisfying had the filmmakers stopped at two. After all, more than two hours of film’s story is closely linked. And the film overall is very strong. It should be said that the main thrust of expression is very delicate. Rhythm is still continuation of a rapid tradition. The taste is worth careful film.

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