《铁娘子》奥斯卡类型片影评

《乌云背后的幸福线》女主角詹妮弗·劳伦斯获得金球奖影后之后，开了两个过头的玩笑，一个是“我打败了梅丽尔（梅丽尔·斯特里普凭《希望温泉》入围）”。一个是感谢制片人哈维·韦恩斯坦“替我摆平了所有对手”。梅姨和韦恩斯坦兄弟都因为提名、获奖太多，屡屡被人拿来开涮。韦恩斯坦兄弟的人脉尤其深不可测，能凭借强大的公关让《莎翁情史》打败《拯救大兵瑞恩》已经是陈年旧闻了，关于他们最新的传说是：请来米歇尔·奥巴马宣读最佳影片就是他们一手策划的。结果在奥斯卡颁奖礼上，詹妮弗·劳伦斯领奖时摔倒了，整个人差点匍匐在楼梯上，像一只受伤的天鹅。此时韦恩斯坦兄弟就在台下，梅姨则在幕后准备颁奖。也许是他们念了“混淆咒”，詹妮弗·劳伦斯才数错了台阶。这个故事教育我们，千万不要在奥斯卡的地盘挑战梅姨和韦恩斯坦，当他们合力时，足以改变某些自然规律——比如让并不优秀的《铁娘子》得到第84届奥斯卡的荣宠。

政要人物是个工作狂=奥斯卡类型片

说那么多的题外话，原因之一是《铁娘子》实在是部平庸的片子，话题寥寥。梅丽尔·斯特里普在片中出演撒切尔夫人之前，至少有过一百次更精彩的演出，但因为那一百次的演出与韦恩斯坦兄弟没什么关系，得奖的概率也低得可怜。这一次，韦恩斯坦公司作为《铁娘子》的出品和发行方，那自然是人挡杀人，佛挡杀佛。梅姨和韦恩斯坦兄弟弹冠相庆，作为看客却总觉得有些不妥。

韦恩斯坦兄弟对小金人近乎变态的迷恋，正在把奥斯卡得奖影片变成一种类型片。过去只有商业电影会有类型片的概念，说白了就是按照赚钱概率较高的公式来运算。韦恩斯坦则找到了得奥斯卡的公式，《国王的演讲》是另一部获奖无数（包括最佳影片）的韦恩斯坦电影，也是《铁娘子》的模版，这两部电影的主角都是英国政要，讲的都是个人奋斗的故事，找来跟原型一点都不像的大牌演员，把整部片弄得跟百变大咖秀似的，比如梅姨那唐老鸭的嗓音，就敢到处张贴奥斯卡竞选海报了。我们真该庆幸《铁娘子》没能复制《国王的演讲》式的压倒性成功（一个影后，一个化妆，而后者更像是支撑前者得奖的理由之一），否则韦恩斯坦的下一个目标就是现任女王的柯基犬了，说的是它在被阉割后一度闷闷不乐，但在亲朋好狗的帮助下最终战胜心魔，勇敢地出去找姑娘的励志故事，由凯特·布兰切特主演。

说回《铁娘子》中，撒切尔夫人面对的主要矛盾，一是政坛的性别歧视，二是因工作忽略了家庭，并将其疯狂地夸大：片中的男人经常公开对撒切尔的性别和出身（小卖铺店主的女儿）表示不屑，这可真奇怪，我还以为英国都是绅士，

而且早就习惯了被女人统治，什么女王伊丽莎白啊，女王维多利亚啊，女王莎士比亚啊??等等，为什么莎士比亚听起来像个大文豪，管他呢，总之很多女王就是了。我真的不相信在那样强烈的歧视环境下，撒切尔能成为国家首脑。尽管时代不同，但我觉得用今天的希拉里对比撒切尔足够说明一些问题，性别的不同是劣势也是优势。这个观点等到希拉里成为美国第一个女总统之后说会更有说服力。

家庭方面，撒切尔退休之后因为过于思念亡夫，常常出现幻觉，仍然与丈夫默契地拌嘴，这部分灵感源于真实的戏份还算处理得有趣。但剩余部分的夸张部分，最夸张的一场戏是撒切尔当选议员后第一天上班，她坐在车里，她的孩子在外面痛苦地敲车窗，后来还边哭边追逐汽车尾气。整个过程中，撒切尔都摆出一副“我爱你们，但我也有我的事业”的挣扎表情。我说首相您至于吗，您孩子至于吗，是上班又不是上刑，您晚上难道不下班吗？当然啦，导演可以说这是一种“艺术化”的处理方式，但我相信，没这么狗血，而且效果更好的处理方式并不难想出。只不过在韦恩斯坦兄弟的“小金人公式”的限制之下，一部只许被拍成个人奋斗史的片子又能带来多少新鲜感呢？更多动漫新番 电影 新剧尽在()() ()

“不值得花钱看”也可以是种类型片

《铁娘子》引进国内时被安排在了三八国际妇女节上映，而在这一天，还有很多其他电影上映，它们不约而同打出旗号：为女性量身定做的类型片。事实上，在好莱坞代表的国际影坛上，这个档期是根本不存在的。这让笔者联想到，就在刚刚过去的学雷锋日，因为有关单位的某种特殊需要，成为了一个有中国特色的电影档期，放映主要的是雷锋同志的类型片。本来，这种类型片和《铁娘子》一样，基本上不会和商业扯上关系，但最近有一条新闻，说的是《青春雷锋》在南京上映首日竟然获得零票房。比这更搞笑的是制片方还出来辟谣了，说不是零票房，有89个人买票进场呢！89个人啊！估计整个南京城也不超过100个人吧！这上座率也忒高了点??等等，我刚才接到通知，说南京有800万常住人口，让我来算算这个百分比是多少，估计会有很多个零呢。

为什么没有人去看伟大的雷锋同志的类型片呢？原因是多方面的，比如对小学时期多次被包场以及被要求写观后感的报复。但其中最重要的一点，恐怕还是因为大家不用看，就知道这种电影是什么样子。换句话说，就像美国人可以一眼看出《铁娘子》是个什么类型，中国人也知道《青春雷锋》是个什么类型，它在

片内片外也按照我们预想的那样做着这种类型片该做的事。比如主演异口同声宣称“拍这部电影让我们的心灵得到了净化”，这跟我当年看完《离开雷锋的日子》后写的观看感是一样一样的，而且我甚至以此为基础发明了一种文体，只要输入刘胡兰和董存瑞，就可以生成相应的观后感，那么我可以告他们抄袭吗？

总之，这种电影可以用很长的句子来表达，也可以简化成“基本不值得浪费辛辛苦苦赚来的钱的类型”。

第二篇：铁娘子影评(英)

There's no legend

----Iron Lady Movie Review 1In my opinion,Margaret Thatcher was not a legend , she couldn't sustain the word "beauty",saying she was a "hero" also seems far-fetched, but what we regarded chilled was political means rather than her heart. Having been famous for her iron fist, Margaret Thatcher got out of the public gaze, her own life was no better than a story, not a legend.

2When woman complete what males do traditionally, her life became the best reflection of Conservative"s belief, from this point of view, right-wing political ideas succeed, but loneliness appeared after bloom,she was courageous, indomitable, but even if she was proud of the world-famous only female Prime Minister in British history, she couldn't prevent fate from halting her career, taking her husband away, the time destroyed her health, eroded her consciousness, she could not stop herself from getting old.3This is the opportunity of the movie, Phyllida Lloyd has perspective female feeling , subtle patience, she is more sensitive of small pieces change than major macro changes, she saw that Margaret Thatcher became more appropriate for storytelling after aura disappeared. 4 the life of Margaret Thatcher becomes soft by the time, at the beginning of the movie, Margaret Thatcher has already elderly, she was slowness, picky forgetfulness, loneliness.What she could not stand most was that people who were around her began whispering

about her, carefully talked to her, as if she even lost her thinking ability , and the only conversation object she can trustingly talked was the illusion of her dead husband.This is probably a great shame for Margaret Thatcher, she led the country by her strong arm that male couldn't compare with, and now even the freedom of going out should be restricted. Phyllida Lloyd invite "the most distinguished American actress MeryStreep to play MargaretThatcher,Britain's most prominent female political leaders.Streep is synonymous with superb acting, her image coincides with the British conservative Prime Minister 1980s.Not only imitate appearance lifelike but also Thatcher's iconic wavy short hair and her unique pronunciation habits,all behavior fleshes out the details.}Streep has really captured the soul of this role. She accurately grasp the essence of this grocer's daughter's life experience of reaching the top of the world, and she played the role perfectly.

What Margaret Thatcher tried to express was that she is a woman,who was about to being addicted to time ocean , after all, she was, Thatcher, even if there is no legend, she was still unwilling to be mocked by time . She struggled, missed, gave up, she ordered herself being sober, command herself to accept the fact that f her husband, died， to command herself to continue the fight. there were several times fighting in her life and never give up, even if the opponent is herself when she was old.When her entire life memories are finished, she pulled herself out, to

let herself go. Then, she tidied the man who stayed in her memories for long time up last time, to see him get out of her world step by step , to say"goodbye, packed all his belongings to accept others' concern.When the new day began, she still was the Margaret Thatcher, maybe aging but refused to slack her appearance. When Phyllida Lloyd shredded the Iron Lady's political career apart filling into the memories of the woman who became vicissitudes under time but still refused let herself go , perhaps even we don't have qualifications to criticize her political stance while only give standing ovation to the fighting spirit of the woman .