作者:zzd
Recently, I have been watching a very famous movie, It's "The Godfather". It's a film about crime and family, and it's directed by Francis Ford. It's one of the films in which I personally didn't find any weakness even after many viewings. In my opinion, this is the greatest movie ever made, and it has a very big influence on me.
This film tells a story about the Corleone Family-a mafia family. This family often do illegal trades, but they also protect weak civilian, so they're deeply respected by people. But they have a principle, they never do drug trades, so they offend other families. Finally the "Godfather" was assassinated, and his son-Michael Corleone take his place. Michael appears to give in to other families, but secretly he has been making the revenge plan. At last, he killed all his enemies, and he became the new Godfather.
I love this film very much, because it teaches us how to be a real man. Just like Michael, though his father was killed, he didn't hate his enemy, because that would let him make wrong judgement. Instead, he didn't let anybody know what he is thinking, and always stay calm, try his best to protect his family. We should learn his calm, kind, love of family, and loyalty to his wife, and be a mature man.
第二篇:《预言者观后感》
文艺气息的《预言者》
法国的黑色电影一直以来都有优良的传统,但自从阿兰·德龙的时代渐渐远去以后,法国黑色电影在世界影坛就不太为人所知了。20xx年一部被誉为新世纪教父的法国黑帮电影《预言者》坎城影展上荣获评审团大奖后,相继摘得欧洲电影奖最佳男演员、法国电影凯撒奖最佳影片、英国奥斯卡最佳外语片等9项大奖,并成功入围2010奥斯卡金像奖最佳外语片奖。法国黑帮电影在沉寂了多年之后,终于再次赢得了世界的热捧。
影片《预言者》讲述了一个有阿拉伯裔血统的年轻小混混,入监服刑后,如何在穆斯林和科西嘉人两大帮派之间求生存,并一步一步地在科西嘉人之间攀升,最后反过来击垮科西嘉人、整合穆斯林帮派,成为黑道老大的故事。虽然在电影中到处是残酷的监狱黑帮斗争,导演却一反传统黑帮电影赤裸裸的暴力血腥的常态,用略带赞许甚至是浪漫抒情的方式展现了他的奋斗历程,使得影片成为一部史诗级反类型黑帮题材影片,成功征服世界的观众。 《预言者》融合了写实与浪漫这两种风格,这也是法国电影独特之处。黑帮片乃至更广范围内的犯罪片大都以血淋淋的写实描写来达到震撼观众眼球的目的。《预言者》也有血浆喷薄的一刻,开场不久主角就经历了一场割喉杀人的成年礼。不过这是这个被杀的人,成为主角心中挥之不去的梦魇。影片的浪漫手法被运用到主角心理的刻画上。导演为主角跟那个被他杀死的人提供了相当多的互动,死者可以在主角的牢房中游荡,甚至可以通过暗示或者言语跟主角进行交流,这种交流带有宗教的启示意味,既像梦境,也像幻觉,更像是一种超现实的表达。他们的每次交流都带有浓郁的宗教氛围,隐喻很多,内涵相当丰富,也是暗示着主角遭遇与心理的转变。在主角并不光彩的发家奋斗史中,穿插着主角情感的积累和渲染,最为突出的就是吉贝纳跟患上癌症的狱友利雅得之间的友情线,到了后来利雅得嘱咐主角要照顾好他的家人的时候,主角的身份被定位到了一个家庭的支柱上。特别是当他抱着挚友的孩子的时候,脸上流露出真挚的爱意,把角色身上温柔的一面展露无疑,突然间就产生了一种打动人心的力量。
《预言者》具有一种史诗般的气势,力图架设起《教父》等经典影片的宏大结构。主角马所经历的蜕变历程艰辛而漫长,如同是“罪恶地下世界的迷幻冒险记”,涉及众多人物,时间跨度颇很大,却又条理清晰。导演以主角分别认识的几个人来切割电影的片段,借此区分主角在监狱中成长的各个阶段。每次出现新的人物,象征主角又进入一个新阶段时,导演都会在字母上打出这个新人物的名字,以这种手法来分割这部繁复的电影,让观众清楚意识到段落的存在,同时也避免冗长的剧情疲劳观众的注意力。
《预言者》是一部监狱黑帮电影,但其实也是穆斯林移民在法国生活的写照,人数众多,但却如同一盘散沙,挤在狭小的空间中,吃着差劲的食物,虽然始终聚集在一起,共同朝拜念诵可兰经,但却无法融入大环境中,成为“多数”的少数人。片中主角不仅是作为一个小混混在监狱中奋斗出一片天,更是以一个阿拉伯裔穆斯林移民的身份,谋求在法国、乃至于整个欧洲,能够有所作,成为一个不仅存在、且有声音的族群。这才是导演、乃至观众将预视的未来!
《预言者》以一个小人物的发家奋斗史映射了法国帮派的黑暗残酷的斗争,借助主角与鬼魂的交流,以及主角在朋友家中的温暖体验,在一部黑帮题材影片中融入了一股文艺气息,它以不同的姿态出现在观众面前,超脱主流的欣赏品味,让人为之折服。