八荣八耻读后感

关于胡锦涛主席树立社会主义荣辱观的讲话，在全国各地引起强烈反响，树立社会主义荣辱观归根结底就是“人影响人、事影响事”的循序过程。中国教育学会家庭教育专业委员会秘书长赵刚研究员曾经说到：“在全社会应当由干部带头影响群众，在学校里应当老师做表率，影响和带动学生，在家庭中应当父母严于律己影响孩子。其中，最重要的是干部、教师等更应当要求自己具有高于一般人的道德水平。”

知行合一”，就是有力抨击那些“说一套做一套、煽阴风点鬼火、两面三刀、搬弄是非”之人，知廉不去行，知耻偏要做，这就是对他们的真实写照。那些在“当面不说，背后乱说；会上不说，会后乱说”之人，就是社会风气的败坏者。因此，诚实与诚信，就是良好社会风气的根基，也是树立社会主义荣辱观的基本要求。

树立社会主义荣辱观必须从“自己做起，从小事做起”，通过全国人民的共同努力，不断提高自己的道德境界，只要我们热爱祖国，热爱人民，热爱我们的事业，具有中国特色的社会主义道路将前途为量！ 通过对“八荣八耻”的认真学习，我深刻体会到一点，那就是：“做人要诚实、为人要踏实、帮人要热心、办事要细心”。只要做到这“两实两心”，我们的事业将会蓬勃发展，我们的生活将充满阳光！

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《老人与海》

美国著名作家海明威的小说《老人与海》。最令我佩服的是小说中老渔夫的意志，他让我懂得了一个人一定要有坚持不懈的精神，才能获得成功。小说通过人与自然的斗争，表达了人要勇敢地面对失败的主题。桑提亚哥在同象征厄运的鲨鱼的斗争中虽然失败了，但他并没有在厄运面前屈服，认为人虽可以暂时战败，但人的精神和意志是永远也打不垮的。“一个人并不是生来要给打败的，你尽可以把他消灭掉，可就是打不败他”，他的这句话在我心中留下了深刻的印象。小说在艺术上具有很高的概括性、寓言性和象征性。运用反衬法、内心独白来刻画人物性格，语言清澈流畅、朴素无华。

小说描写的是一个老渔夫桑地亚哥，他是一位孤独、失败，而又英勇无畏、热爱生活、渴望胜利的老人。《老人与海》在它简单的故事情节背后，深藏着我们前面所阐述的那样丰富而又博大的世界；另一方面，它像诗篇，像是一曲交织着沉郁、苦难、昂扬与庄严，甚至也不无明丽与柔情的气魄宏伟的交响曲。它从桑地亚哥的孤独与失败开始写起，依次书写他在出海之前与小男孩的交往、他的扬帆出海、他与大马林鱼及鲨鱼的搏斗、他的失败的返航，最后复归于他庄严的梦境。他的语言丰富多彩，不仅雅致冷峻、简洁有力，而且色彩鲜明，具有庄严伟岸的艺术风格。

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读《永别了武器》有感

一个告别了武器的人,不是敌人的俘虏,就是爱的俘虏.我不是不善于自我保护,实在是一个放弃自我保护的人.就如同生命的数据库,已经不需要进入的密码,随时都可以打开全部程序,可以读出全部的文件.我说的俘虏,就是这个意义上的俘虏.当我把自我放到阳光下的时侯,我明白从此不能有所伪装,隐蔽的日子一想起就令人不安.当我意识到抗拒的无奈,有多少时间无可挽回,有多少记忆渐渐从内心淡出.说到底,俘虏就是一个不能抵挡伤害的人,就是要有足够的勇气放弃希望,必须承受生存的全部压力.本来,在属于个人的空间,可以沉浸于独自的幻想,可以从尘埃里开出虚拟的花朵.而一个放弃自我保护的人是连欺骗自己都不能,只有不断地净化内心世界.

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学习《党章》的理解

我党开展的保持共 产 党员先进性教育活动正在如火如荼地开展进行着，在局党组织的带领下，组织我们对保持共 产 党员先进性材料进行了详细学习，同时对《党章》进行更深一层次的理解。通过重温党章，我比以前对党的认识更进了一个层次。

从《党章》对我党性质的概述即“中国共 产 党是中国工人阶级的先锋队，同时是中国人民和中华民族的先锋队，是中国特色社会主义事业的领导核心，代表中国先进生产力的发展要求，代表中国先进文化的前进方向，代表中国最广大人民的根本利益。”可以显示出先进性对党的作用和地位。其中“中国共 产 党是中国工人阶级的先锋队”明确指出党的阶级性；“同时是中国人民和中华民族的先锋队”指出党群众性，“是中国特色社会主义事业的领导核心”指出党在中国特色社会主义建设事业中的地位和作用。“三个代表”规定了党的先进性的本质特征，也指明了党的根本宗旨。

我党从建党以来，就紧紧抓住先进性这一本质特征，才取的一个又一个巨大的进步和成就，是中国共 产 党经过多年的浴血奋战，带领中国人民从封建社会直接进入了社会主义社会，是中国共 产 党在社会主义国家首先实行市场经济体制，是中国共 产 党实行对外开放，建设中国特色社会主义国家，是中国共 产 党首先实行了“一国两制”统一祖国。这些都体现了中国共 产 党的先进性。在这样一个先进性队伍发展壮大时，需要我们严格要求，吸收进来的成员必须能够继续保持中国共 产 党的先进性。所以这次保持共 产 党员先进性教育活动，不仅使 - 4 -

我们每一个党员都重新对自己进行了反思，进行思想的洗涤，也加强锻炼党员的意识，强化理论知识学习，提高了党性修养，保持了党先进性的自觉性，增强了党组织的凝聚力。我作为一名党员，要以身作则，时刻体现党员的先进性。

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读《新编共 产 党员先进性教育性读本》第八章读书笔记

读了“共 产 党员要成为解放思想，与时俱进的模范”一章后，结合新世纪日益发展的国际和国内形势，和新经济的冲击和要求，“今天如何做一名学生党员”这一朴素但又值得思考的问题又一次摆在了我的面前，“怎样才能体现出学生党员的先进性？”在经过一段时间的思考后，我给了自己这样一份答卷。

注重引导实践，小事体现先进性。

就党员的特点而言，在同事中间，他们应当具备了先进思想所知道的一面旗帜和榜样。而在社会中，党员更具有年轻活力和勇于创新开拓的精神，是在各个领域都充满好奇，勤奋思考的学习者。党员的先进性就是体现在理论性和学习性的结合。关键的问题就是如何在实践中体现自己的先进性，即如何使自己的先进性为别人所知，进而影响周围的人，最终使得广大的群众都能具备先进的思想，都能在党员的带动下努力开拓，不拘泥于现状。

从身边的小事中党员就可以体现他的指导作用和先进性。“三个代表”重要思想就是要求党员成为一面指引社会进步发展的旗帜。

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烈火中炼就钢铁——读《刚铁是怎样炼成的》有感

读了《钢铁是怎样炼成的》后，我受益匪浅。钢铁是在熊熊烈火和骤然冷却炼成的。我们这一代也是在斗争和艰苦考验中锻炼出来的。

这部小说以保尔〃柯察金在革命道路上的成长为线索，描绘了从第一次世界大战起，经过十月革命、国内战争，到经济复苏时期的前苏联社会的广阔的历史画面，通过保尔这一光辉的艺术形象，展现并讴歌了前苏联第一代共青团员的崇高精神品质和英雄业绩。

保尔〃柯察金出生在一个乌克兰的工人家庭。在几十年的学习和斗争中成为了一个坚定的无产阶级战士。他从小诚实、质朴，浑身是胆，渴望反抗，要求自我上进，喜欢阅读各种革命书籍，特别是在一个老布尔什维克的帮助下，思想觉悟提高很快。

十月革命爆发了。一位老布尔什维克朱赫来在保尔家住了几天，不久就被抓去了。保尔在路口看到一个匪兵押着朱赫来走来，他猛扑上去，抱住押送兵，夺了他的枪，救出了朱赫来。保尔被抓进监狱，受尽严刑拷打，却没有泄露任何革命秘密。读到这里，我们就可以发现保尔那所具有的革命精神。

"人最宝贵的是生命。生命对于我们只有一次。一个人的生命应当这样度过的：当他回首往事的时候，他不因虚度年华而悔恨，也不因碌碌无为而羞耻--这样，他就能够说：'我整个的生命和全部的精力，都已献给世界上最壮丽的事业--为人类的解放而斗争。 - 7 -

第二篇：读书笔记2

Wuhan Institute of Technology

读 书 笔 记

书 目 名 称 The Great Gatsby 起 止 页 码 041-085

姓 名 邓林 班 级 2014级英语2班 学 号 1410010406 指 导 教 师 陈珩 所 在 学 院 外语学院

20xx年5月

On Cross-cultural Communication At the beginning of this chapter, Gatsby’s party brings 1920s wealth and glamour into full focus, showing the upper class at its most lavishly opulent. The rich, both socialites from East Egg and their coarser counterparts from West Egg, cavort without restraint. As his depiction of the differences between East Egg and West Egg evidences, Fitzgerald is fascinated with the social hierarchy and mood of America in the 1920s, when a large group of industrialists, speculators, and businessmen with brand-new fortunes joined the old, aristocratic families at the top of the economic ladder. The “new rich” lack the refinement, manners, and taste of the “old rich” but long to break into the polite society of the East Eggers. In this scenario, Gatsby is again an enigma—though he lives in a garishly ostentatious West Egg mansion, East Eggers freely attend his parties. Despite the tensions between the two groups, the blend of East and West Egg creates a distinctly American mood. While the Americans at the party possess a rough vitality, the Englishmen there are set off dramatically, seeming desperate and predatory, hoping to make connections that will make them rich.

Fitzgerald has delayed the introduction of the novel’s most important figure—Gatsby himself—until the beginning of Chapter 3. The reader has seen Gatsby from a distance, heard other characters talk about him, and listened to Nick’s thoughts about him, but has not actually met him (nor has Nick). Chapter 3 is devoted to the introduction of Gatsby and the lavish, showy world he inhabits. Fitzgerald gives Gatsby a suitably grand entrance as the aloof host of a spectacularly decadent party. Despite this introduction, this chapter continues to heighten the sense of mystery and enigma that surrounds Gatsby, as the low profile he maintains seems curiously out of place with his lavish expenditures. Just as he stood alone on his lawn in Chapter 1, he now stands outside the throng of pleasure-seekers. In his first direct contact with Gatsby, Nick notices his extraordinary smile—“one of those rare smiles with a quality of eternal reassurance in it.” Nick’s impression of Gatsby emphasizes his optimism and vitality—something about him seems remarkably hopeful, and this belief in the brilliance of the future impresses Nick, even before he knows what future Gatsby envisions.

Many aspects of Gatsby’s world are intriguing because they are slightly amiss—for instance, he seems to throw parties at which he knows none of his guests. His accent seems affected, and his habit of calling people “old sport” is hard to place. One of his guests, Owl Eyes, is surprised to find that his books are real and not just empty covers designed to create the appearance of a great library. The tone of Nick’s narration suggests that many of the inhabitants of East Egg and West Egg use an outward show of opulence to cover up their inner corruption and moral decay, but Gatsby seems to use his opulence to mask something entirely different and perhaps more profound. From this chapter forward, the mystery of Jay Gatsby becomes the motivating question of the book, and the unraveling of Gatsby’s character becomes one of its central mechanisms. One early clue to Gatsby’s character in this chapter is

his mysterious conversation with Jordan Baker. Though Nick does not know what Gatsby says to her, the fact that Jordan now knows something “remarkable” about Gatsby means that a part of the solution to the enigma of Gatsby is now loose among Nick’s circle of acquaintances.

Chapter 3 also focuses on the gap between perception and reality. At the party, as he looks through Gatsby’s books, Owl Eyes states that Gatsby has captured the effect of theater, a kind of mingling of honesty and dishonesty that characterizes Gatsby’s approach to this dimension of his life. The party itself is a kind of elaborate theatrical presentation, and Owl Eyes suggests that Gatsby’s whole life is merely a show, believing that even his books might not be real. The novel’s title itself—The Great Gatsby—is suggestive of the sort of vaudeville billing for a performer or magician like “The Great Houdini,” subtly emphasizing the theatrical and perhaps illusory quality of Gatsby’s life.

Nick’s description of his life in New York likewise calls attention to the difference between substance and appearance, as it emphasizes both the colorful allure of the city and its dangerous lack of balance: he says that the city has an “adventurous feel,” but he also calls it “racy,” a word with negative moral connotations. Nick feels similarly conflicted about Jordan. He realizes that she is dishonest, selfish, and cynical, but he is attracted to her vitality nevertheless. Their budding relationship emphasizes the extent to which Nick becomes acclimated to life in the East, abandoning his Midwestern values and concerns in order to take advantage of the excitement of his new surroundings.

Though Nick’s first impression of Gatsby is of his boundless hope for the future, Chapter 4 concerns itself largely with the mysterious question of Gatsby’s past. Gatsby’s description of his background to Nick is a daunting puzzle—though he rattles off a seemingly far-fetched account of his grand upbringing and heroic exploits, he produces what appears to be proof of his story. Nick finds Gatsby’s story “threadbare” at first, but he eventually accepts at least part of it when he sees the photograph and the medal. He realizes Gatsby’s peculiarity, however. In calling him a “character,” he highlights Gatsby’s strange role as an actor.

The luncheon with Wolfshiem gives Nick his first unpleasant impression that Gatsby’s fortune may not have been obtained honestly. Nick perceives that if Gatsby has connections with such shady characters as Wolfshiem, he might be involved in organized crime or bootlegging. It is important to remember the setting of The Great Gatsby, in terms of both the symbolic role of the novel’s physical locations and the book’s larger attempt to capture the essence of America in the mid-1920s. The pervasiveness of bootlegging and organized crime, combined with the burgeoning stock market and vast increase in the wealth of the general public during this era, contributed largely to the heedless, excessive pleasure-seeking and sense of abandon that permeate The Great Gatsby. For Gatsby, who throws the most sumptuous parties of all and who seems richer than anyone else, to have ties to the world of bootleg alcohol would only make him a more perfect symbol of the strange combination of

moral decadence and vibrant optimism that Fitzgerald portrays as the spirit of 1920s America.

On the other hand, Jordan’s story paints Gatsby as a lovesick, innocent young soldier, desperately trying to win the woman of his dreams. Now that Gatsby is a full-fledged character in the novel, the bizarre inner conflict that enables Nick to feel such contradictory admiration and repulsion for him becomes fully apparent—whereas Gatsby the lovesick soldier is an attractive figure, representative of hope and authenticity, Gatsby the crooked businessman, representative of greed and moral corruption, is not.

As well as shedding light on Gatsby’s past, Chapter 4 illuminates a matter of great personal meaning for Gatsby: the object of his hope, the green light toward which he reaches. Gatsby’s love for Daisy is the source of his romantic hopefulness and the meaning of his yearning for the green light in Chapter 1. That light, so mysterious in the first chapter, becomes the symbol of Gatsby’s dream, his love for Daisy, and his attempt to make that love real. The green light is one of the most important symbols in The Great Gatsby. Like the eyes of Doctor T. J. Eckleburg, the green light can be interpreted in many ways, and Fitzgerald leaves the precise meaning of the symbol to the reader’s interpretation. Many critics have suggested that, in addition to representing Gatsby’s love for Daisy, the green light represents the American dream itself. Gatsby’s irresistible longing to achieve his dream, the connection of his dream to the pursuit of money and material success, the boundless optimism with which he goes about achieving his dream, and the sense of his having created a new identity in a new place all reflect the coarse combination of pioneer individualism and uninhibited materialism that Fitzgerald perceived as dominating 1920s American life.