20##-20##学年第1学期

《科技文献检索》课实习报告

专业：应用化学

年级：2009级

姓名：吴丽红

学号：20090153009

A.实习目的：

1.通过本次检索实习，掌握现代网络型中文参考工具书的检索和利用；

2.通过本课题的检索实习，体会和掌握专业型网络数据库的特点、使用方法及与其他信息资源的异同；

3.通过本课题的检索实习，掌握网络搜索引擎的使用方法。

B.实习资源：

1.中国知识产权局 网址：www.sipo.gov.cn

2.万方数据库 

3.GOOGLE及BAIDU

4.超星数字图书馆  

网址：http://202.203.132.139:8080/markbook/GetIndex.jsp

5.读秀搜索

6.CNKI数据库

网址：http://202.203.132.137/kns50/

7.中国年鉴网络出版总库

网址：http://acad.cnki.net/Kns55/brief/result.aspx?dbPrefix=CYFD

C: 实习要求：

1.     以下课题，必须使用以上数据库及搜索引擎完成；

2.     认真完成检索报告各项内容；

3.     自行独立完成检索，不得抄袭。

一.  数据库检索题（20’，必须使用超星数字图书馆、中国期刊全文数据库及中国？年鉴网络出版总库完成）。

1．请利用超星数字图书馆的高级检索功能查找以下电子图书：

（1）一用户想查找有关“计算机编程语言”的图书，尤其关注C语言及JAVA语言，请你在高级检索功能中，输入相关的检索条件，一次检索获得结果，请问，您填入的检索条件（包括检索项、逻辑符号及检索词）为 书名：计算机编程语言、主题词：C语言 or JAVA 语言、逻辑关系：或 ；检索获得的结果有36篇，其中，摘录一篇图书的书名为 C程序设计教程。

（2）在高级检索功能中，查找主题词为“森林调查”，并且作者为“郑颖吾”的图书，共有__1_篇，请摘录一篇书名为  《木论喀斯特林区概论》。

2．请在CNKI的中国期刊全文数据库中检索相关文章：

（1）利用高级检索功能，检索有关“城市绿化及园林植物病虫害防治”的文章，输入相关检索条件，一次获得检索结果，请问，您填入的检索条件（包括检索项、逻辑关系及检索词）为主题=城市绿化及园林植物病虫害防治；检索获得的结果有___1_篇，其中，摘录一篇文章的题名为呼和浩特市城市绿化及园林植物病虫害防治

（2）利用专业检索功能，查找“赖茂生在《图书情报工作》（中文刊名）上发表的主题为“情报”的相关文章”，（具体使用符号及检索式构造方式请查看帮助），检索式应为 AU=赖茂生andJN= 《中国情报图书》and（DE=情报）；检索获得的结果有6篇，其中，摘录一篇文章的题名为数字化时代的情报学。

3．使用中国年鉴网络出版总库，利用高级检索功能，查找云南地区(如保山)20##年度有关体育方面的大事，并记录其中一条数据：条目题名1985年昭通地区运动员参加省级以上体育竞赛大事记 、栏目体育  、年鉴中文名昭通地区年鉴。

二.特种文献检索题（15×4题）

1.请在中国知识产权局网站中查找申请人为本校的专利，你在此系统中能查到有多少篇与本校相关的专利，请摘录其文摘一篇（注：西南林学院20##年更名为西南林业大学）。

答：共有35条

滇杨优良无性系开远滇杨的选育及栽培方法

滇杨优良无性系开远滇杨的选育及栽培方法，属于林木栽培方法。本发明选高≥20m、胸径≥55cm滇杨植株为优树，大规模苗圃培育插条苗，干形好、生长快、适应性强、形态特征明显。栽培方法包括用插条育苗后出圃造林。选育的滇杨可在海拔2000m以上和石灰岩露头多等立地条件差的地方种植，插条成活率≥95％，幼年时年均树高生长量大多在1.7～1.9m之间，年均胸径生长量大多在1.5～2.5cm之间，性能均优于目前文献值及实测值，可作短周期工业用材林或防护林。

2.请问以下哪个是中国专利申请号：A.“ZL 92200123”；B.“2011100263821”；C.“CN 1036245A”；D.“CH 116327B”。该申请是哪种专利类型：A.发明专利；B实用新型专利；C.外观设计专利。请在中国知识产权局网站中查找该中国专利，并摘录其题录信息（包括申请日、发明名称、主分类、申请人、发明人、公告号等信息）

答：B是中国的专利申请号。

 您现在的位置： 首页>专利检索

申请（专利）号：201110026382.1

·           

3.请在西南林业大学读秀搜索引擎中检索：标题包含“过渡金属”，会议名称包含“有机化学”，会议时间在20##-2012之间的会议文献。请问，您检索出与此相关的会议文献几篇，请摘录其中一篇的题录信息（包括篇名、作者、日期、会议名称、会议录名称、会议地点等）

答:一共搜索出5篇。

篇名：过渡金属催化的C-H键活化反应研究

【作 者】梁尊俊;杨誉竹;黄乐浩;张玉红

【日 期】2010

【会议名称】第十六届全国金属有机化学学术讨论会

【会议录名称】第十六届全国金属有机化学学术讨论会论文集

【会议地点】中国浙江温州

4.请在万方数据库的《中国学位论文全文数据库》中检索邓小昭老师指导完成的有关“信息检索”的论文，且“信息检索”一词必须出现在标题字段，请问您检索出几篇，请摘录其中一篇（摘录该文章的有关基本信息，包括作者、学科专业、学位授予单位、学位年度、以及摘要等）。

答：检索出2篇。

  题目：信息检索领域相关定义的演化及其启示

  作者：韩毅、邓小昭、刘丽、潘幼乔

  学科专业：计算机与信息科学学院信息管理系,

  学位授予单位：西南师范大学

学位年度：20##年

摘要：相关是情报学的核心概念.从Mooers等的相关定义开始,从历史的发展过程讨论了Vickery的相关定义、主题相关、逻辑相关、情境相关和认知相关,指出这些相关定义一方面丰富了相关本身的研究内涵,另一方面也为情报学的深入发展指明了前进方向.

三.数据和事实检索题（5×4题，本题必须使用GOOGLE、BAIDU等搜索引擎完成）：

1.世界面积最大的淡水湖是苏必利尔湖，面积8.24  万平方公里，湖岸线长3000公里，最大深度为 406   米，蓄水量  12240  立方公里。

本题答案网页地址：http://_ www.docin.com/p-73569539.html   

  

2.首位获得诺贝尔和平奖的非洲女性是肯尼亚国的环境保护人士马塔伊     她所起的“绿带运动”在非洲各地栽下了3千万棵树。

本题答案网页地址：http:// http://world.huanqiu.com/hot/20##-09/2036480.html

3.《中华人民共和国宪法》第四次修订案于 20##  年 03 月14日在      会议上通过，宪法第十四条增加一款，内容为：国家建立健全同经济发展水平相适应的社会保障制度。

本题答案网页地址：http://snxsfj.hlbsyg.com/show_news.asp?id=489  。

4.神州九号飞船，于2012_年 06月_16日18  时37  分在酒泉卫星发射中心发射升空，并获得圆满成功。这是中国航天计划中的一艘载人宇宙飞船，也是中国实施的首次载人空间交会对接 此次登上太空的三名航天员是刘旺、 景海鹏   、    刘洋  。

本题答案网页地址：http://baike.baidu.com/view/1893588.htm ________________________________

第二篇：艺术类文献检索实习报告

报告编号：

《文献检索》课程

检 索 报 告

课题名称：服装材料的肌理美

检 索 人：

检索日期：20xx年4月23日

检索完成日期：20xx年5月11日星期日

二00八

《文献检索》课程检索报告卷

中文电子资源

1．CNKI期刊全文数据库

2．CNKI中国优秀博硕士学位论文全文数据库

3. 重庆维普信息资源系统

4. 电子图书――读秀知识库

检索结果请记录： （1－3题数据库要求检索记录相同，请拷贝） 信息资源系统名称： CNKI期刊全文数据库

数据库名称：中国期刊全文数据库 检 索 词： 服装材料的肌理美 检 索 式： 服装材料and肌理美 检索结果：

① 命中记录数目 3

② 拷贝命中篇数的篇名 ：《论服装材料的肌理美》《论现代服装设计中的材料艺术》《论现代服装设计中的材料艺术》

③ 记录一篇与课题密切相关的文摘型二次文献。

论服装材料的肌理美

【英文篇名】 The texture beauty of clothing material

【作者中文名】 欧阳静;

【作者英文名】 OU Yang-jing （School of Textile & Clothing; Southern Yangtze University; Wuxi 214063; China）;

【作者单位】 江南大学纺织服装学院 江苏无锡;

【文献出处】 江南大学学报(人文社会科学版), Journal of Southern Yangtze University, 编辑部邮箱 20xx年 01期

期刊荣誉：ASPT来源刊 CJFD收录刊

【关键词】 服装材料; 肌理; 形式美; 质地美; 联想美; 审美;

【英文关键词】 clothing material; texture; formal beauty; texture beauty; associated beauty; aesthetic appreciation;

【摘要】 服装材料的肌理美有三个主要特点 :形式美、质地美、联想美。作为现代服装审美的一个重要因素 ,各种材料表面的天然或人为形成的视觉肌理与触觉肌理对人的审美取向和服装设计有重要作用。在设计中 ,只有使不同的肌理形式与服装的设计风格、人们的审美情感与审美的时代特征相统一 ,才能表现和发挥服装材料的肌理美。

【英文摘要】 The three main features of clothing materials' textures beauty a

re formal beauty, texture beauty and associated beauty. As an element of aesthetic fashion appreciation, the visual and touch textures of the materials appearance with natural or artificial forms play an important role in people's psychology and fashion design. Only when the different texture forms are in accord with the fashion style, people's aesthetic emotion and times trait can their beauty be showen and even excavated in the design.

【DOI】 cnki:ISSN:1671-6973.0.2003-01-024

信息资源系统名称：CNKI 中国优秀博硕士学位论文全文数据库

数据库名称：中国优秀博硕士学位论文全文数据库 检 索 词： 服装材料的肌理美 检 索 式： 服装材料or肌理美 检索结果：

④ 命中记录数目 5

⑤ 拷贝命中篇数的篇名 ：《现代军服设计风格对时装潮流的影响》《新型再生

纤维面料及服装的热湿舒适性研究》《带状弹性织物张力控制系统的研究》

《着装过程热湿舒适性的仿真研究》《材料在服装设计中的艺术表现》

⑥ 记录一篇与课题密切相关的文摘型二次文献。

材料在服装设计中的艺术表现

【作者中文名】 杨旭;

【导师】 陈建辉;

【学位授予单位】 天津工业大学;

【学科专业名称】 服装设计与工程

【学位年度】 2004

【论文级别】 硕士

【网络出版投稿人】 天津工业大学

【网络出版投稿时间】 2004-07-07

【关键词】 服装材料; 服装设计; 艺术语言; 艺术表现; 服装审美;

【英文关键词】 Garment Material; Fashion Design; Language for Artistic Expression; Artistic Expression; Aesthetics for Fashion Design;

【中文摘要】 现代服装设计已成为材料与服装的双重设计，成为艺术与技术的双重设计。本文根据这一现实，紧紧围绕“材料在服装设计中的艺术表现”这一主题，分别对服装材料进行基础研究、应用研究和审美研究，力图将当前现实中形成的零散的共识系统化和理论化，目的是从三个方面来回答服装材料是什么，怎样应用服装材料实现艺术表现，为谁进行艺术表现以及如何达到这一目的的问题，实际上就是回答服装设计中遇到的“用什么”、“怎样用”和“为谁用”的基本问题。在第一个层面，着重分析服装材料的内涵与外延，探讨服装材料的艺术表现潜力，广义材料论和反材料论；在第二层面，着重分析服装材料应用，探讨它的物理应用，即为何对服装材料进行深度开发，并以此为基础，分析它的艺术应用，即如何实现服装材料的艺术表现；在第三个层面，从审美的角度，着重分析服装材料审美信息的传播与接受，即服装设计中的审美信息同构及其启示，运用信息论和美学的一般原理，说明设计者与审美者之间的互动关系和设计信息同构过程中二者的再塑造过程，从而为服装设计的完善与发展初步明确了努力的方向。

【英文摘要】 Modern Fashion Design has become the unity of material design and

garment design, the process of Fashion Design has also become the unity of Technic Design and Art Design. Based on these realities, the Basic Characteristic Study, Exploiture Study and Aesthetics Study about garment material are developed focusing on the topic of "the Artistic Expression of Material in Fashion Design" to systematize and theorize all scattered common understanding about it. In this dissertation, three aspects about garment...

【DOI】 CNKI:CDMD:2.2004.076147

信息资源系统名称： CNKI期刊全文数据库

数据库名称： 重庆维普资源信息系统

检 索 词： 服装材料的肌理美

检 索 式： 服装材料and肌理美

检索结果：

⑦ 命中记录数目 1

⑧ 拷贝命中篇数的篇名 ：《论服装材料的肌理美》

⑨ 记录一篇与课题密切相关的文摘型二次文献。

论服装材料的肌理美

欧阳静

(江南大学纺织服装学院，江苏无锡214063)

【摘要]服装材料的肌理美有三个主要特点：形式美、质地美、联想美。作为现代服装审美的一个重要因素，各种

材料表面的天然或人为形成的视觉肌理与触觉肌理对人的审美取向和服装设计有重要作用。在设计中，只有使不

同的肌理形式与服装的设计风格、人们的审美情感与审美的时代特征相统一，才能表现和发挥服装材料的肌理美。

【关t词]服装材料；肌理；形式美；质地美；联想美；审美

【中圉分类号】J 523．1 【文献标识码】A 【文章编号】1671—6973{2003)01—0099—03 The texture beauty of clothing m aterial

OU Yang—jing

(School of Textile& Clothing，Southern Yangtze University，Wuxi 214063，China) Abstract：The three main features of clothing materials’textures beauty are formal beauty， texture

beauty and associated beauty．As an element Df aesthetic fashion appreciation．the visual and touch

textures of the materials appearance with natural or artificial form s play an important role in people’S

psychology and fashion design．Only when the different texture form s are in accord with the fashion

style，people’S aesthetic emotion and times trait can their beauty be showen and even excavated in the

design．

Key words：clothing material；texture；formal beauty；texture beauty；associated beauty；aesthetic

appreciation

在当今纺织科技不断发展进步、服装消费追求时尚个

性的时代。各种服装材料的不同肌理作用已被越来越多的

设计师所充分认识和广泛重视。为了提高服装的外观品

质，增强审美感受，体现设计理念和独特风格。许多优秀的

服装设计师在善于巧妙利用和表现服装材料肌理美的同

时，还在材料上积极探索运用各种装饰设计的艺术处理手

法来发掘、创造服装材料的肌理美。这在现代设计中已成为

增强服装设计视觉艺术效果常用的表现手法之一。

一

、肌理的概念和类型

关于“肌理”一词，词典释之为“皮肤的纹理”。而在服装

设计领域则认为是“服装产品形象表面所具有的纹理效

果”，它既可指服装材料本身的性质、特征和质感。也可指材

料在织造加工时或服装在造型设计中产生的外观形态。因

此尽管在多数情况下。质感与肌理的含义是相通的，但有时

【收稿日期】2002一G6—19

【作者简介】欧阳静(1955一)。女。江苏无锡人。副教授

两者还是有所区别。不能完全等同。这是因为服装上所用

的各种材料虽然都有各自不同的质感。但在其表面并不一

定都会有相应的肌理感。例如用于面料装饰的水晶片，其

表面平滑透明。具有自身特有的透明水晶质感，但一般并不

认为它也具有肌理形态感。只有对水晶片的表面施以印花、

刻纹或呈凹凸状的加工处理。我们才能感觉到该材料外表

具有某种肌理形态。可见在服装设计中。各种材料的肌理

是指其表面具有自然存在或人为加工的能被人视觉或触觉

感受到质感的纹理。

由于服装材料的肌理是通过其表面形态赋予人们在视

觉或触觉上的某种感知觉，因此肌理就有视觉肌理和触觉

肌理两种类型之分。视觉肌理，它不同于触觉肌理。即不必

依赖触摸就能感知服装形象或其材料表面的特征．可对其

冷暖、轻重、疏密等性质及其表面特征直接进行鉴别和判

断。这种仅凭视觉就可感受到的肌理形式有：织物手绘艺__

电子图书检索结果请记录：

检索途径：

检 索 词：

检索结果：

① 命中图书记录种数

② 记录一本与课题相关的书名、作者、页数、出版社、出版日期、简介、主题词、目录、ISBN号、定价。

书名：《论服装材料的肌理美》

作者：欧阳静

年代：2003

期号：第1期

关键词：服装材料 肌理 形式美 质地美 联想美 审美

主题：服装材料的肌理美有三个主要特点:形式美、质地美、联想美.作为现代服装审美的一个重要因素,各种材料表面的天然或人为形成的视觉肌理与触觉肌理对人的审美取向和服装设计有重要作用.在设计中,只有使不同的肌理形式与服装的设计风格、人们的审美情感与审美的时代特征相统一,才能表现和发挥服装材料的肌理美.

主办单位： 江南大学

文献出处：江南大学学报(人文社会科学版)

主 编： 简大钧

地 址： 无锡市蠡湖大道1800号

邮政编码： 214063

电 话： 0510-5913522

传 真：

电子邮件： Jdrwxb@

国际刊号： 1671-6973

国内刊号： 32-1665/C

单价： 8

期刊种类： 双月刊

免费信息资源――专利及中文文献数据库

1. 中国专利全文数据库

2．美国专利全文数据库

3．国家图书文献中心

检索结果请记录：

数据库名称：中华人民公民共和国知识产权局专利检索

检索途径： 摘要

检 索 词：服装材料

检 索 式： 服装材料or肌理美

检索结果：

① 命中记录数目 5

② 拷贝命中篇数的篇名：《屏蔽、导电和阻燃功能的服装材料》《 具有特殊保

护作用的新型服装材料》《聚合物服装材料》《一种服装材料》《一种服装材

料》《远红外保健保暖服装材料 》

③ 记录一篇与课题相关的二次文献。专利数据库请再下载一篇专利说明书原文

的扉页、权利要求、说明书前2页及图一幅。如无图，说明书下载3页即可。

申请（专利）号：200610047050.0 信息资源系统名称：中国专利全文数据库

? 申请公开说明书 （11）页

申 请 号： 200610047050.0 申 请 日： 2006.06.27 名 称： 具有特殊保护作用的新型服装材料

公 开 (公告) 号： CN1869301 公开(公告)日：

2006.11.29

主 分 类 号： D03D15/00(2006.01)I 分案原申请号：

分 类 号： D03D15/00(2006.01)I;D03D15/12(2006.01)I;D06N7/00(2006.01)I 颁 证 日： 优 先 权：

申请(专利权)人： 肖忠渊

地 址： 116011辽宁省大连市西岗区唐山街51号3-8楼

发 明 (设计)人： 肖忠渊 国 际 申 请：

摘要 国 际 公 布： 进入国家日期：

专利 代理 机构： 代 理 人：

一种碳纤维复合材料制造的具有特殊保护作用的新型服装材料，材料是选用化纤纤维进行高温处理后得出的碳纤维、再经过碳纤维拉断机牵断的碳纤维与羊毛或经过阻燃处理后的面纱、化纤混合纺织后，再经过特殊工艺软化处理后进行着色编制而成，再采用传统的服装粘合剂在表面粘贴软质金属箔并进行表面处理，即可生产出适合各种行业要求的具有特殊保护作用的新型服装材料，然后根据需要裁剪缝纫制造出各种规格的、对人体具有特殊保护作用的新型服装；具有防火、阻燃、耐温、隔热、导电、屏蔽、柔软、舒适、耐磨等优点，而更加凸显的是阻燃、隔热、防水，防火等优越效果；

信息资源系统名称:专利全文数据库

数据库名称：美国专利全文数据库 检索途径：关键词 检 索 词：服装 检 索 式： 服装材料or肌理美 检索结果：

④ 命中记录数目 8

⑤ 拷贝命中篇数的篇名：《1202》《Executive Bio print - Whealan》《Trademark

Examination Guides, Notes and Announcements》《Kodak Film Patent Issued

October 14, 1884》《THIS DISPOSITION IS NOT CITABLE AS PRECEDENT OF

THE TTAB》《Top News (30Mar2008)》《Mailed: December 9, 2003》《THIS

DISPOSITION IS NOT CITABLE AS PRECEDENT OF THE TTAB JULY 8, 1997》

⑥ 记录一篇与课题相关的二次文献。专利数据库请再下载一篇专利说明书原文

的扉页、权利要求、说明书前2页及图一幅。如无图，说明书下载3页即可。

⑦

PRESS RELEASE

Contact:

Brigid Quinn

703-305-8341

brigid.quinn@uspto.gov

October 11, 2001

#01-44

Kodak Film Patent Issued October 14, 1884

First commercial film made “snap shot” possible

George Eastman, who was born in Waterville, New York, received patent #306,594 on October 14, 1884 for photographic film. Eastman’s invention revolutionized photography by using coated paper and rollers, rather than heavy glass dry plates, to reproduce images. Eastman began looking for ways to “make the camera as convenient as the pencil,” after amassing the heavy, complicated, and expensive equipment he needed to keep a picture

record of his vacation. This invention allowed him to mass produce a small hand-held box camera filled with rolls of film with 100 exposures. Millions of Americans recorded the first snap shots of their everyday lives using the Kodak camera, which was introduced in 1888. In 1977, George Eastman was inducted into the National Inventors Hall of Fame.

In addition to an inventive spirit, Eastman also had a strong belief in the power of advertising. He first registered “KODAK?,” a term he created, as a trademark in 1888. Today the word “Kodak,” and the Eastman Kodak Company’s distinctive yellow trade dress, are well-known around the world.

Eastman’s patent and many of the Eastman Kodak trademarks, as well as the more than six million patents issued since the first in 1790 and the 2.3 million trademarks registered since 1870, can be seen on the Department of Commerce's U.S. Patent and Trademark Office web site at www.uspto.gov.

Last year USPTO issued 182,223 patents and registered 127,794 trademarks.

信息资源系统名称：

数据库名称：国家图书文献中心

检索途径： 关键词

检 索 词：服装材料

检 索 式： 服装材料

检索结果：

⑧ 命中记录数目

⑨ 拷贝命中篇数的篇名：《低温等离子体引发涤纶织物接枝改性 》《高吸汗、

排汗、速干织物用PET纤维 》《PET异形纤维非织造布吸排水性能研究》《非

相容高聚物共混物的形态结构控制 》《绿色糖基酰胺表面活性剂的合成与表

征 》《不含无机导电介质的抗静电纤维 》《吸湿速干型舒适性涤纶织物结

构与性能研究 》《竹/毛混纺织物的染色性能探讨 》《几种新型功能性纤维 》

《PA6/共聚醚酯皮芯型复合纤维结构性能设计 》

⑩ 记录一篇与课题相关的二次文献。

中文会议论文数据库

【正题名】:竹/毛混纺织物的染色性能探讨

【个人作者姓名】:王晓春; 史丽敏; 朱超; 孙薇莉

【作者单位】:北京市服装材料研究开发与评价重点实验室,北京,100029;北京市服装材料研究开发与评价重点实验室,北京,100029; 北京服装学院,北京,100029;北京服装学院,北京,100029

【会议录\文集名】:第26届全国毛纺年会

【文献其他题名】:第26届全国毛纺年会论文集

【出版年】:2006

【页码】:p.36-40

【总页数】:5p

【会议年】:2006

【会议召开地点】:山东青岛

【馆藏号】:H051606

【关键词】:毛纤维; 竹纤维; 混纺织物; 活性染料染色

【分类号】:TS106; TS193.632

【正文语种】:CHI

【文摘】:针对竹纤维、毛纤维的物理化学性能,采用安诺素活性染料对竹/毛混纺织物进行一浴一步法染色。研究了染色过程中电解质、碱剂、固色温度、染浴pH值等因素对同色性的影响。结果表明，安诺素活性染料用于竹/毛混纺织物染色具有良好的同色性和染色性。

国外网络文献信息资源

1. EBSCO全文数据库

2. 国道数据

检索结果请记录： 信息资源系统名称：

数据库名称： 检索途径： 检 索 词： 检 索 式： 检索结果：

① 命中记录数目 1

② 拷贝命中篇数的篇名 《南京云锦》

? 记录一篇与课题相关的文摘型二次文献及一份原始文献。

Brocade

Brief introduction

Brocade because of the beautiful scene, gorgeous as the sky named Yunxia, Zhen is perfection to the national treasures of traditional arts and crafts. Nanjing Brocade is the traditional jacquard silk products, is the process of Nanjing "Sambo" first. Brocade as many as 18 kinds of color, the use of "colored halo," introduced the main layers of flowers, Wealthy elegant, solid texture, and let the beautiful patterns and colors Nongyan solemn, large-scale use of the line, a splendid style. As the materials used sophisticated, the fine texture, color pictorial elegance Wealthy, Choi Wan-like the sky like a magnificent, it said, "Kam-yun." Only Nanjing, modern production, often called "Brocade." 1580 has been in history. Brocade and Chengdu of Sichuan Silk Brocade, Suzhou Song Jin, the Guangxi Zhuang Jin said that "four of

China's Jin" (Suzhou Kesi and as "the name Kam").

In the ancient silk fabrics, Kam is the representative of the highest technical level

of the fabric. "Kam", "payment" and the word "silk" word combinations,

"Explanation-silk": "Jin, Kim also.'s Hard to weight, such as the price of its gold. Venerable is a service provided." This That is, Kam is a precious luxury Sibo, in

ancient times can only Daguanguiren Chuande since.

The development of history

Brocade and the birth and development of the city of Nanjing Shi Miqie related. Nanjing silk industry can be traced back to the first three Soochow (222-280) period, the Eastern Jin Dynasty (317-420) the end, the generals Liu Northern Expedition, Mieqin, will be moved to Chang'an all the Baigong Jiankang (now Nanjing), Which account for a large proportion of brocade craftsmen. Houqinbaigong in brocade craftsmen inherited the Han Dynasty, Wei, the Western Jin Dynasty and 16 of the previous minority brocade technique. 417 Jiankang in the Eastern Jin Dynasty set up a special management in the Guanshu brocade - Kam Department, was seen as the official birth of the Brocade logo. From the Yuan Dynasty, Brocade has been the Royal clothing supplies. Of the Ming Dynasty, brocade keep mature and improve, and formed the Nanjing silk jacquard Jinduan the local characteristics. Qing Dynasty in Nanjing have "Jiangningzhizao

Department," "A Dream of Red Mansions" by Cao Xueqin's grandfather, Cao Yin, a former Jiangningzhizao 20 years. During this period the wide variety Kam-yun, pictorial solemn, colorful and has represented the history of Brocade weaving technology of

the highest achievements.

Brocade weaving heyday, when Taiwan has over 30,000 looms, nearly 30 million people living this and related industries, the Nanjing was the largest manual industry. 1949, although the Government has invested several thousand million for the restoration

and protection of Kam-yun, the Nanjing Brocade Research Institute has also successfully copy of the science in the 1970s Mawangdui Han Tomb Unearthed in Changsha in Hunan's "yarn-Dan clothing," Beijing Ding Ling Ming Tombs Unearthed in the Wanli emperor, "the peacock feathers woven yarn Longpao cosmetics flowers", but Kam-yun Houjiwuren is still faced with the situation, the country now really understand the

technology Kam-yun, however more than 50 people.

Kam-yun, QC, the last of the court or reward for the hero of. Modern-Jin inherited the Ming and Qing periods in the traditional style and development of a variety of traditional cosmetics flower, the Jin, the satin, and other broad categories (see "cosmetics flowers," "The Kam," "The Satin"), the Kim, the Kam woven into the Qing Dynasty, and so on to enter Neiwu Fu "satin horsepower library" and the name, adopted so far. Cosmetics category fabric flowers on behalf of Brocade skills characteristics of the variety and style, pictorial layout stringent solemn, concise summary form patterns, and more for large-scale pattern for the full four consecutive order, also Che-horsepower increase for a separate, suitable for large-scale patterns Cosmetics flower fabric (such as Ming and Qing at the Long Pao, kang blanket mattress pad, etc.) with color Nongyan contrast to the regular line Goubian or gold, silver decorative line pattern, the white-and-halo or transition to the small shuttle-wai Choi spent digging equipment, textiles let the Code of Korea, Choi Jin Hui Ying, is different

from the Sichuan Silk Brocade-Jin, Song Jin-brocade, and other important

characteristics. 1949, in the traditional varieties on the basis of innovative varieties, such as the Yuhuatai Kam, Dunhuang Kam, gold and silver cosmetics, Ling Jin, Jin-decorated blanket and Taiwan, cushions, supply and Mongolia, the Tibetan brothers and mounting ethnic costumes and paintings, souvenirs, Foreign trade needs.

The main purpose

Brocade in the Yuan, Ming and Qing Dynasty royal family, QC, Long Pao, Mianfu, officials of the literati class Guifuyizhuang, as well as civil imperial clan, happy, wedding dress, and other application areas, it is the most luxurious, the most exquisite of the arts One. It brought together by silk (materials, organizations) fabric of the United States, the United States and harmonious colors, patterns sincerity of the United States and decorative landscaping features to "quality and profiling", "Qiao and the Arts", "Italy, and as the" combination of content And form, to technology and the arts, both perfect form a unified aesthetic. Yun-Jin from the wide variety, the artistic expression of aesthetic concepts in real terms, it can be summed up as the United States in the form of three: the royal palace of the United States, is the pursuit of expensive luxury and the beauty of Yongronghuagui; literati, the sovereign scholars of the United States, is an indication that lyric Yajie of the

United States; civil joyous rituals of the United States, is practical and gorgeous combination of pure folk customs of the United States. Therefore, cosmetics Kam-yun spent by the unique instrument decorated the United States, can adapt to people's aesthetic sentiment of the value of the elegant art to enjoy. This is the Brocade works truthfulness, benevolence, and the United States and reunification of the artistic style, it represents a national culture of clothing and fashion folk, is

also a world historical and cultural heritage, one of the corroboration.

In traditional Chinese drama on the stage, where the emperor will phase, Princess Princess played them dazzling costumes, always let people's eyes as one of the bright. They effectively Hongtuo the figures, rendering the atmosphere of the story. These Yongronghuagui theatrical costumes, the emperors of Ming and Qing Hou Fei and senior officials Guifu and daughter were modelled on the dress, after processed and the arts. These ancient emperor's clothes, many of them is to use up for the Brocade. So in "Brocade" of manufactured goods will bear on the deep "class brand." Imperial costumes

of the "Crown God grant" the concept. Successive emperors self-proclaimed

"true-emperor", mandated in the day, Jialin the world, the rule of the people, so in costumes on the large-scale use of the legends of Shen Shou "Dragon" image, not allowed to use non-emperor, to show Dragon in the world, extremely conceited.

信息资源系统名称：

数据库名称：国道数据

检索途径： 主题词

检 索 词：服装材料

检 索 式： 服装材料or肌理美and应用

检索结果：

① 命中记录数目 2

② 拷贝命中篇数的篇名《High-flux x-ray undulator radiation from proposed 5 factory storage rings at Cornell University》《On fiber art materials》

③ 记录一篇与课题相关的文摘型二次文献及一份原始文献。

High-flux x-ray undulator radiation from proposed 5 factory storage rings

at Cornell University

D. H. Bilderback, B. W. Batterman, M. J. Bedzyk,a) J. Brock, K. Finkelstein,

R. Headrick, and Q. Shen

Cornell High-Energy Synchrotron Source and the School of Applied Engineering Physics,

Cornell University, Ithaca, Net0 York 14853

(Presented on 15 July 1991)

Two intersecting storage rings (8 GeV, 1 A and 3.5 GeV, 2 A) have been proposed to be

built at Cornell University to enhance both the production of B mesons and

synchrotron radiation. Exceedingly high x-ray flux from 3-m long undulators will be the new

feature of a B factory for the CHESS laboratory. The flux produced integrated over the

central cone of radiation can be as much as an order of magnitude higher than from the thirdgeneration storage rings (now under construction) operating at 0.1 A.

I. INTRODUCTION

Cornell University is proposing to build two new storage

rings which promise to usher in a new era of experimentation for both high-energy physics and synchrotron

radiation research. The machine will collide electrons and

positrons from two rings, one operating at 8 GeV, 1 A and

the other at 3.5 GeV, 2 A of beam current. The rings will

dramatically increase the number of B mesons produced

for physics investigations, hence the term “B factory.”

The storage rings at Cornell will be capable of producing

synchrotron radiation beams of tremendously high flux

from undulators and wigglers permanently installed in the

rings. We will be able to operate undulators in the storage

rings full time and not just during dedicated periods. We

plan to increase our present number of beam lines from five to eight, including two hard x-ray and one soft x-ray undulators. To make best use of the new insertion device

capabilities, we envision adding 7000 ft2 (650 m2) of addition floor space near our current A line as well as keeping

the present CHESS East and West laboratory space.

The optimization of these rings is different than for the

third generation of high brilliance machines such as the

APS, ALS, ESRF, Spring-& etc. The B factory rings will

be able to store about 10 times the current of these high

brilliance storage rings by having 230 bunches of charge

stored in bunches of modest beam size. The electron and

positron beams will be refilled to their peak currents every

5 min or so with only 5% of this time devoted to filling.

Thus radiation will be produced at near peak power during

operations.

The B factory will possess a vertical emittance comparable

to the APS although the horizontal emittance will

be about 12 times larger. The 3-m-long B factory undulators will be capable of producing one-half the brilliance of

a 2.5m-long APS undulator A, but will surpass the APS by

a factor of 3 in brightness and 1~0in flux. This will give the

synchrotron radiation community an opportunity to develop

experiments optimized on flux rather than brilliance.

These high intensity beams will provide unique opportuni-

“Present address: Dept. of Materials Science, Northwestern University, Evanston, IL 60208.

ties for advances in chemistry, materials research, biology,

physics, and medicine in a very cost effective manner with

an appealing geographic location well suited to a large East Coast population of scientists in the United States and

Canada.

II. LABORATORY DESIGN

The CHESS B laboratory floor plan is shown in Fig. 1

and further described in a recent proposal.’ The proposed

facility differs from the present one in several basic ways.

The present magnets and shielding wall are all moved from

their current positions, necessitating a redeployment of

some, but not all, of our existing beam lines. For instance,

all the lines in CHESS West (A,B,C) will be relocated.

However, the East lines (D and F) will remain roughly

where they are and will be fed from the 3.5-GeV ring. New

straight sections will be provided on the S-GeV ring for

operation of two hard x-ray undulators. The number of

beam lines will be increased from the present five to a total

of eight. (See Table I.)

On fiber art materials

MA-US

(Taiyuan University of Technology and the Academy of Fine Arts textile engineering)

Abstract: Among the many art forms, because of modern fiber art selected by the diversity of materials, controllable, plasticity, can be inconsistent, visibility of a number of factors and creative practices of different fiber materials such as the unique characteristics, Fiber Art has also been called "the art materials."

Key words: beauty and diverse fiber

Shuttle cold day in the reinforced concrete building construction, metal乘座the transport of free living and office space in between, living in the city in the spirit of the people to bear the psychological tensions and suppress, in the fast-paced , High rational objectify people in society than ever an urgent need for a coordination between the people and building material and emotional medium, it can adjust and add too rational and rhythm of modern life, to create a relaxed atmosphere, People can ease the pressure, to give people heart the deepest levels of care. So when the fiber artists to the most primitive weaving, winding, Fengzhui, such as use of the most creative approach to life of fiber materials to create simple, warm, gentle, caring people to the needs of inner visual symbols, the people's been such a warm Art by infection, complicated, impulsive mood in fiber art by pouring.

1 fiber art and the concept of development

In recent years, although "fiber art" frequently appears in various academic journals, but the concept of fiber art implicitly or fuzzy, or to avoid mentioning the fiber arts to the exact definition of the concept of urgent need. In my view, Tsinghua University Academy of Fine Arts Fiber Art Master's graduate mentor Professor Lin Lecheng of fiber art by the definition is very clear, he said: "The so-called fiber art, artists use the most affinity with human material, to Knitting, Central guitar, winding, such as the production means Fengzhui shaped plane, and three-dimensional image of a device space art forms. "

Fiber Art is an ancient art classes, that is because as early as the oldest in human learn how to use simple tools for the production of crafts ancient times, found that

natural plants, fur fibers with the function of keeping warm. In more than 7,000 years ago, the world on a woven fiber, although she initially warm and cold inseparable from the function, but it was discovered that her addition to the above functions are outside the absorption and noise characteristics, with the practical function of the gradual Perfect, it is increasingly pursuing her art form and her life on the landscaping of.

1.1 fiber arts development in China

7,000 years ago in Hebei Province with the magnetic mountain sites and Hemudu ruins in Yuyao, Zhejiang have unearthed Hongtao spinning wheel; Xiashang Zhou period, linen, silk, wool and other textile raw materials production has been larger scale and to promote the then spinning , Weaving, dyeing and other technology advances, China has gradually early to Zhixiu mainly of fiber art technology to the development of Wei Han period, the life of the people in the Alpine region in the rough texture, such as Mao Zhipin Maobu system on the basis of creating a more Rich decorative fine wool fabric; Sui and Tang Dynasties period, in textiles, embroidery art, such as fiber Guaping there have been many high level of artistic works.

1.2 fiber arts development in Europe

In Europe, people are most familiar with the fiber art forms Mount. It commonly known as "higher than forest," or "Gebei Lan" (GOBELIN), people will as a symbol of wealth and on interior decoration and furnishings in an important position. The main choice of material is wool. Most of the Middle Ages in Europe to prepare the inside means to express religious legends, historical stories, flowers and plants, and other subjects, painting a dark performance of the moods, images and simple and very decorative. Gerona Cathedral Xishi fine collection of "Revelation" is the most representative of that era fiber art works. End of the 19th century, painting had a symbolic and comprehensive, and fiber arts have begun the transition to modern art. Art opened this precedent is the French artists to Mount ? Lurcat, he is the first of the modern design concepts and new decorative wall to go to modern art and technology of combining而使wall hanging in there with a new look Yitan people. In his art hanging on the spirit of innovation and promote the development of fiber art from the past Huagao faithful to the artists, painting a copy of the theme of the painting style to the diversification of development so that the main viewing directly involved in the situation in fiber art, fiber art And the space environment has financial as a whole.

2 fiber art aesthetic properties of materials

Fiber materials are works of art as the basic element, the use of different materials and different techniques to express concepts and ideas. The artist is not simply a variety of materials will be spelled, but to use the material characteristics, to change its external characteristics and to give the new form and content to produce new visual effects, the United States gives to the enjoyment. Certain materials suitable for a certain shape, improper use wood, like a good film to an inappropriate choice of actors, actors are very good but does not mean he's suitable for this role, materials as well. Therefore, we can only choose to proceed from reality, the use of a specific shape and materials that suit the characteristics and performance of the texture, the material Shi Yi, to enhance its aesthetic value. Chang Lu goods sculptor, said: "Technology will be obscured by reason of its own rich material quality

and potential fully uncovered."

Modern science and technology as a fiber art provided a more extensive fiber materials, textile fibers in fiber art occupies an irreplaceable position.

2.1 fiber material beauty of the fabric

Texture of the United States is an important part of the United States. Texture is the material of its own texture, convex, logo, etc.. For example, natural fiber material, cotton, linen, wool, silk fabric and texture different, Fluid Systems rough texture of the hair is glossy soft material; smooth silk material, color Yingrun, weeping with flu.

2.2 fiber material color beauty

Color is the visual organs of the feelings of visible light, such feelings should be the objective of the movement of light, but also by the physical and physiological change. Xianshengduoren color of the characteristics of different colors to create different psychological feelings. Red, orange will make people think of the sun's warmth. Green, blue and purple make people think of forest, sea and sky. It is exciting warm, warm, cold tone It is quiet, elegant and cool. Material is the carrier of color, materials and colors can not be divorced from there. As Professor Lin Lecheng works "Spring - the summer - autumn - Winter", use a warm, soft wool characteristics of natural materials, weaving through the latitude and longitude lines staggered to the irregular convex geometry and texture combinations, works in yellow, green, red With the four kinds of colors on behalf of four seasons in a changing, to the performance of eternal life, to the guests in time and space create a sense of continuity and movement.

2.3 fiber material visual tension

"Tension", the earliest found in physics. From the perspective of physics, the tension is the object of two opposite direction by the tension generated by its role within the two parts and perpendicular to the surface of contact with each other traction, for example, hoisting the heavy rope to pull the rope or internal There is tension. Visual tension and tension have similar physical characteristics: inclusive imbalance in the equilibrium state, "the dynamic fixed" the dynamic sense of a variety of factors, particularly the contradictory elements of the combination and interaction. The visual tension we can make such a broadly defined: visual activities in the entire process, at least two seem incompatible with the visual elements of a new entity, does not eliminate antagonism between the parties, and in a state of mutual antagonism To counter, attack, compare, contrast Ying, the guests of thinking at all in from the very, wavering, in multiple concepts under the influence of the three-dimensional feel.

Visual material tension has the following characteristics: One is the method of contrast, when a greater contrast between the material characteristics of the common fiber material used in the design, several materials in each other if we can contend, the impact will create visual tension; their Second, the material itself, through various means of its size, shape, texture, and so have a comparison, Ying Chen and a visual tension, such as from Shandong Guo Zhenyu secondary school special education teacher guide 96 deaf students collective creation "Chinese roots," she four meters high, 19.9 meters long. "China roots" is the performance of the banyan tree roots and tree in the south known as the sacred tree, it placed a "Harmony" ideal. Banyan

tree is the symbol of life, is a symbol of strength, China is also ideal for generations to survive and multiply. The reason why she has so much power and influence in addition to her own image brought about by the visual impact, their choice of the same kind of fiber materials, although the whole works by plain jute for the elements, but through knitting, Fengzhui, winding, and other creative means to deal with the same kind of material into a rich contrast, the impact of comparison, the visual tension Ying Chen symbols of art, go to work every guests hearts, arousing the Chinese people's patriotic sentiment, each one Foreign guests to fully appreciate the East China power sound off the potential strength.

3 modern fiber art of diversity

To some extent, modern art fiber materials used in scope, including all of the line materials. Fiber materials can be divided into natural fiber and chemical fiber two categories.

(1) natural fibers: cotton, linen, wool, silk, certificates of compliance and so natural fiber materials are the property of the area.

(2) Chemical Fiber: including man-made fibres, synthetic fiber, semi-synthetic fiber, etc., such as nylon, polyester, acrylic, B-lun, polypropylene, vinylon, Kevlar, Lvguan, spandex, fiber materials for the extensiveness Multiple artists to explore the creative material, explore new art forms provide a broader space.

Lausanne in 2006 from the fiber to the Beijing International Art Exhibition in Suzhou use of colorful materials. In this exhibition, works choice of material has broken through the traditional material types of issues, such as tree branches, rattan grass, glass, cable, film, tape, Sha Wang, metal lines, plexiglass and other materials were integrated soft Artists ingenious use. The author of these materials because of the use of alternative, to give fresh visual effects, build a personalized aesthetic kingdom.

Among the many art forms, because of modern fiber art selected by the diversity of materials and creative practices of different fiber materials such as the unique characteristics of fiber art also known as "the art materials" as a study fiber art Apart from the creators of material used to tap the U.S. itself, to unusual patterns of the United States can not achieve the artistic realm, more should have sharp观察力, be good at discovering new materials, the use of fiber materials to the process of creation " I forgot two of "the spiritual realm, and to grasp the nature of fiber art thrust of the return to fiber art works more lasting vitality.

4 modern art from natural fibers to the nature of the return of art

Since ancient times, humans have a natural and close contact, I asked: "On the one things" that all things are closely related to an integral whole, and days, and, as a dynamic entity, "The overall awareness" on the basis of the harmonious pursuit of all things. Compared with other art forms, fiber art has a more natural paste into the nature of its key lies in fiber art by the choice of materials for the majority of natural fibers such as wool, cotton, linen, silk, etc., these come from natural materials, Itself is a kind of affinity, people feel warm and gentle, close to the artists the choice of materials is also to give full expression to Taoism, "Tao Follows Nature, inaction were all" simple philosophy. Fiber Art characteristics of the

material, to some extent in modern society to replace the natural role: One is emotional, is a light.

Of course, "natural" In addition to its general sense, the so-called "natural" (physical dimensions) the meaning, but also its philosophy of (spiritual) on the meaning, that is, "nature." On the spiritual level is the pursuit of modern artists are committed to the pursuit of fiber, which is the "natural" distillation of human nature more deeply explore. Hailed as "higher than forest," the father of the Jiwei. Kan Dare, weaving works "wind" of the choice of wool fiber, through the provision of-way, the abstract expression to his favorite poetry of the same name an emotion. Works of this rich and subtle colors, patterns and vivid nature, this work is like Yilvrourou breeze gently scrolls over the Xin-Tian guests, arouse people's natural desire for a better life.

This modern fiber art is an art, she awakened in the form of simple people and the natural desire of the nature of the return, she from the hustle and bustle of the city near indifference to a quiet, warm sunshine Pure Land, for her people Tired, Changranruoshi a thread of comfort in mind, in her quiet with us. This is the charm of fiber art.

Main Reference: "fiber art" - Lin Le-cheng, Wang Kai, "foreign technology art history" - Zhang Fu also

"China of art history" - Bianzong-sun