是谁伴随着我们长大？是谁把知识传授给我们？是谁把青春奉献给我们？是谁让我们成为国家的栋梁？那个人就是你——我们的老师。

您像一支红烛，为后辈献出了所有的热和光！您的品格和精神，可以概括为两个字——燃烧！不停的燃烧！

您讲的课，是那样丰富多采，每一个章节都仿佛在我面前打开了一扇窗户，让我看到了一个斑斓的新世界……

啊，有了您，花园才这般艳丽，大地才充满春意！老师，快推开窗子看吧，这满园春色，这满园桃李，都在向您敬礼！如果没有您思想的滋润，怎么会绽开那么多美好的灵魂之花？啊，老师，人类灵魂的工程师，有谁不在将您赞扬！传播知识，就是播种希望，播种幸福。

我记得老师总是默默地为我们付出许多的东西，班上出了什么事情都是你帮我们解决，有什么任务你都要我们做得最好，同学们就说你不好，其实你是为我们班争荣誉，这些是我们都记得清清楚楚的，我们不会忘的。

我还记得有一次校长他们来我们班听课，你为了弄好一些资料，一晚上没有睡觉，过了第二天你的眼圈有点黑黑的。你真是辛苦啊，老师。

萤火虫的可贵，在于用那盏挂在后尾的灯，专照别人；您的可敬，则在于总是给别人提供方便。老师，您用您的一生教我们懂得为何要有追求，为何要有理想，为何要超越自己。老师，您把最美的笑容留给这精彩的世界，您是我们心中最美的神话。

第二十五个教师节，你站在讲台上不止二十五年了吧，你的岁月在我们的顽皮中度过，你们的笑容在我们的快乐中度过，你和我们经历了太多。在第二十五个教师节我祝教师们身体健康！

请大家也要记住一句话：教诲如春风，师恩似海深，桃李满天下，春晖遍四方！这句话记住了吗？

第二篇：专八作文范文

Recently newspapers have reported that officials in a little-known

mountainous area near Guiyang, Guizhou Province wanted to turn the area into a “central business district” for Guiyang and invited a foreign design company to give it an entirely new look. The design company came up with a blueprint for unconventional非传统的, super-futuristic未来主义的 buildings. This has triggered off different responses. Some appreciate of the bold innovation of the design, but others held that it failed to reflect regional characteristics or local cultural heritage. What is your view on this? Write an essay of about 400 words. You should supply an appropriate title for your essay.

In the first part of your essay you should state dearly your main argument, and in the second part you should support your argument with appropriate details. In the last part you should bring what you have written to a natural conclusion or make a summary.

Marks will be awarded for content, organization, grammar and appropriateness. Failure to follow the above instructions may result in a loss of marks.

作文参考答案：

The important role of a city’s local conditions in the urban design

Recently there is a hot debate on a report that a foreign design company invited by a little-known mountainous area in Guiyang provided a design without paying too much attention to the city’s unique characteristics. Some people appreciate the bold innovation of the design but others do not like it. In my opinion, any urban design should take the city’s original cultural heritage into account. The designers should suit their design to local conditions and try to take advantage of the local resources.<题目改写>

First, a city’s regional characteristics or local cultural heritage are its symbol, its identity. In a mountainous area, too many unconventional, super-futuristic buildings will not be compatible with the city’s landscapes. Without these landscapes, it is just another so called modern city composed of concrete and steel. Take Beijing for example. In the past few years, Beijing has been removing a large number of such alleys traditionally called hutong, in order to make it become a real international city. But without these hutongs can this city still be called Beijing, an ancient capital? The disappearance of hutongs means the disappearance of a period of history, a cordial lifestyle, and even the disappearance of Beijing itself. Then Beijing will lose its uniqueness.<总分；举例>

Second, it can help a city save a lot of money by suiting the design to local conditions and try to take advantage of the local resources. This is especially important to small cities, like this one in a mountainous area near Guiyang. We all know Guiyang is a developing city, not very rich.

Unconventional, super-futuristic buildings mean large need of money input. Then more burdens may be added to this city, which will run counter to the city’s original purpose of developing itself. Instead, if connections between a city’s culture and the various urban sectors, including housing, infrastructure and governance, are well made, the maximum economic benefits will be achieved.<总分；分析题目现状>

Besides, the modernization should be a gradual process. More haste, less speed. Nonetheless, it should not be overlooked that the shortcomings of futuristic-style constructing outweigh its advantages brought.

In conclusion, any urban design should take the city’s original cultural heritage into account. The designers should suit their design to local conditions and try to take advantage of the local resources. A scientific city design should be dependent on the city’s regional characteristics, on a case-by-case basis.

Maybe We Have a Better Idea

Few things can add as much colors to the regional features of a city as the look of its CBD. Hence, we know Manhattan of Big Apple, Pudong of Shanghai. Indeed, they are the most typical sights projecting a skyline of a modern city. However, should a CBD in the world look all like? Who told us it should solely be made up of unconventional, super-futuristic buildings? And should they stand out from their surroundings? Answers to these questions are universally and unequivocally No.

A CBD is not a detached but integral part of a city. To prevent it from being too extreme or monstrous, it supposedly goes with the general style of the rest parts of the city. In the past, we Chinese have learnt so many hard and painful lessons. We could have had a Beijing with more Chinese traditional characteristics, more valuable cultural heritage preserved and above all more integral and harmonious Tian An-men Square to present to the world. If our grand fathers had been more willing to listen to the advice of some personages, mankind could have known another Paris of a totally different style in the world.

Secondly, with more and more mortals being aware of the value of eco-friendliness, those unconventional, super-futuristic buildings made especially of steel, concrete structures and other eco-unfriendly materials are being increasingly questioned, suspected and forsaken. A China southern city like GY should, perhaps, model its CBD on that of Davos rather than New York or Shanghai. Instead of erecting skyscrapers and towers, GY ought to make its CBD delicate and pleasing, offering bankers and businessmen from across the world comfortable and cozy offices. Finally, a trend that has caught on since some time ago is that regional is international. The world is world nowhere because of its unity and sameness but because of its diversity and variety. To add her own measure of colors to the world, CBD in GY should be local, regional and reflecting the distinctive features of the city. Just a look would give one familiar with her an intimacy “That’s GY all over!” The day when such a CBD is completed, she can be a resort of another sort riveting people all over the world doing business in the area while enjoying her beauty and warm comfort.

Therefore, the municipal and city-developers ought to give it a serious thought before turning whatever foreign design company’s blue print to concrete and steel. Maybe we can come up with a

better idea – a new type of CBD, eco-friendly, amiable and economical, might set a new precedent!

No one can have failed to notice the fact that Chinese culture has become increasingly diversified in the past decades. This can be embodied by evidences in many fields, one of which is architecture. Recently newspapers have reported that officials in a little-known mountainous area near Guiyang, Guizhou Province wanted to turn the area into a “central business district” for Guiyang and invited a foreign design company to give it an entirely new look. The design company came up with a blueprint for unconventional, super-futuristic buildings. This has aroused a heated debate. Some approve of the bold innovation of the design while others claimed that it failed to reflect regional characteristics or local cultural heritage. When asked of my opinion, I am inclined to agree with the former one, and I base my point of view on the following reasons.

In the first place, an unconventional or exotic design is in accordance with the primary function of this area. As we are told, this lot of land is meant to be a “central business district”. As the name indicates, this area is intended for business, most possibly international business, which is imaginable in the context of the nation’s move of reform and opening-up to the outside world. Such being the case, an innovative and super-futuristic design of the areas is quite understandable, for it may demonstrate local people’s wish to embrace and integrate with other cultures around the world. More foreign investors might be attracted here, which is just the aim of this program.

In the second place, allowing space for novel things is essential for the development of an area. The concept of ancient and modern or that of local and alien is relative. What seems ancient now used to be modern centuries ago; similarly, what looks exotic today might be deemed natural tomorrow. A person needs to accept new knowledge to grow and the same is true with an area or a country. While new things often meet with objections at first, they are mostly accepted and loved later. A number of examples can be listed, with the most striking ones being the art museum in Paris designed by Bei Luming, a Chinese architect, and the Opera House in Sydney, whose designer only received due respect years after his death.

Admittedly, we should respect and treasure traditional and regional culture, inherit it and carry it on. However, preserving the old and traditional should not be the reason to refuse the new and modern.

Bringing what has been discussed into conclusion, we may claim that it is understandable and acceptable for people in the above-mentioned area to adopt the foreign design.