英美文学课程 学期论文

论文题目：（中文）×××××××

（英文）×××××××

学 生 姓 名 × × × × 学 生 学 号 × × × × 学 生 班 级 × × × × 学 科 专 业 × × × × 学 年 学 期 × × × × 指 导 教 师 × × × × 所 在 学 院 × × × ×

××年××月××日

摘 要

关键词：

3-5个） 2 （

Abstract

Key words:

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Forms in Novel

After many years of toiling in writing, Doris Lessing has now safely established herself as being “the most extraordinary woman writer” (Greene, 1994: 1) and “very much a representative writer for our time” (Bloom, 1986: 7). Her major work The Golden Notebook has been ranked by many critics as “one of the most powerful of post-war British novels” and “the most remarkable work by a woman to appear in Britain since Virginia Woolf’s” (Bradbury, 2004: 381).

Doris Lessing’s critical reputation is remarkable from the very beginning of her literary career. Her success as a professional writer began with the publication of her first novel The Grass Is Singing. It was accepted by Michael Joseph in London in 1950 and was an instant success, being immediately recognized as an exceptional novel on colonialism. “I had very good reviews, and I had enough money to keep me going for a bit” (Bookshelf, 1992), as Doris Lessing recalled her early success in an interview by BBC Radio. Her fame has gained steadily ever since.

It took Lessing nearly two decades following her first novel to write her next important work, the series of Children of Violence, between 1952, when Martha Quest was published, and 1969, when The Four-Gated City appeared. In the context of postwar retreat to the conventional and the conservative, The Children of Violence was “something new” (Greene, 1994: 15) indeed. It focuses on Martha Quest’s difficult, painful process of educating herself in search of true identity. Despite its conventional form, the vivid depiction of Martha’s growth in consciousness evokes the warm sympathy from many readers, especially young women who seemed to have undergone similar frustration. True to what Jenny Taylor observes, “Martha’s quest became the epic, archetypal story of our times” (Taylor, 1982: 5).

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References

[1] Abrams, M. H. A Glossary of Literary Terms[M]. Beijing: Foreign Language Teaching and

Research Press, 2004.

[2] Aristotle. The Poetics. in Classical Literary Criticism[M]. Baltimore: Penguin, 1965.

[3] Bloom, Harold. “Introduction” to Modern Critical Views: Doris Lessing[M]. New York:

Chelsea House Publishers, 1986.

[4] Bookshelf, “Profile of Doris Lessing” produced by Abigail Appleton, BBC Radio, May 1, 1992.

[5] Bradbury, Malcolm. The Modern British Novel: 1878-2001[M]. Beijing: Foreign Language

Teaching and Research Press, 2004.

[6] Brooks, Ellen W. “The Image of Women in Lessing’s Golden Notebook.” in Critique: Studies in

Modern Fiction. 11th issue, November 7, 1973.

[50] 陈才宇(Chen Caiyu). “内容也是形式：《金色笔记》释读”.《外国文学评论》，1999(4):

pp72-75.

[51] 姜红(Jiang Hong). “有意味的形式”.《外国文学》，2003(4): pp95-98.

[52] 杰拉尔·热奈特(Gerard Genette).“叙事的界限”. 摘自 《叙述学研究》. 张

寅德编. 王文融译. 北京: 中国社会科学出版社,1989.

[53] 莱辛(Gotthold Ephraim Lessing).《拉奥孔》[M]..朱光潜译. 北京：人民文学出版社，1979.

[54] 李维屏(Li Weiping).《英美意识流小说》[M]..上海：上海外语教育出版社，1996.

[55] 王佐良，周钰良(Wang Zuoliang & Zhou Yuliang).《英国二十世纪文学史》.

北京：外语教学与研究出版社，1994.

[56] 殷企平，高奋(Yin Qiping & Gao Fen).《英国小说批评史》[M]..上海：上海外语教育出版

社，2001.

[57] “Cubism,” Microsoft? Encarta? Online Encyclopedia 2005.

? 1997-2005 Microsoft Corporation. All Rights Reserved. October 5, 2005.

[58] “Biography” from the Pamphlet: A Reader’s Guide to The Golden Notebook & Under My Skin.

New York: HarperPerennial, 1995.

September 2, 2005.

[59] “Artists by Movement: Cubism.” from /history/Cubism.html.

January 15, 2006.

[60] http://www. Artlex.com/Artlex/cubism.html. December 21, 2005.

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第二篇：英美文学课程论文格式

英美文学课程论文格式

全文页面设置：纸型：A4，方向：纵向；必须统一使用WORD格式打印

页边距的要求为：上（T）：2.54cm；下（B）：2.54cm；

左（L）：3cm；右（R）：2.2cm

全文行距：1.5倍

段首缩进：5个英文字母，2个汉字（中文部分）

正文中：英文全部采用TIME NEW ROMAN,中文全部采用宋体，字号为

5号。

课程论文的篇幅不少于3000字。

A paper is supposed to be composed of five parts:

1. Title page （封面）

2. Abstract (in both English and Chinese; the main contents and the structure of your thesis) （摘要：先英文，后中文，200字内）

3. Contents (the titles of the chapters and sections; and the number of pages)（目录）

4. The body（正文）

5. References （参考文献）

1

题目Times New Roman 三号加粗居中（题目先英后中）

"click here and type your title"

By

小三号

"click here and type your name"

三号

CLASS:"click here and type your class" Foreign Languages Department

Xi’an University of Finance & Economics

2

第二部分：论文英文内容摘要格式

独立为一页

论文标题用三号黑体居中，上下各空一行，题目下居中打印“Abstract”。

□□ 应，每个词用三个空格隔开，标点用英文形式。

本部分内容为一页，不标页码

第三部分：论文中文内容摘要格式 独立为一页

论文标题用三号黑体居中，上下各空一行，题目下居中打印“内容摘要”。

空一行

□□正文 宋体五号 1

关键词：

□××××××□□□××××××□□□××××××□□□×××××□□□××××××

本部分内容为一页，不标页码

第四部分： 论文目录格式

Contents

空一行

空一行 □□1. □□□□××××××××××××××□…………………………□1 □□□□□1.1.1□×××××××××××□…………………………□1 □□□1.2□×××××××××××xx×××□………………………□2 □□2. □×××××××××××××□

第五部分：论文正文格式

TITLE1行

空一行 四号居中

□□正文 五号 1.5倍行距，段首空5个字母

1.××××××××××××1.1□×××××××Times New Roman小四号粗体

2

□□1.1.1□×××××××Times New Roman五号粗体

正文内容均为五号

正文起始页码为1，居中

第六部分：论文参考文献格式（此部分接着论文正文部分编排页码）

References

空一行 三号粗体

□□1□□作者姓名，出版年份：《××××××××××》，出版社 中文参考文献 宋体五号 □□9□□×××××××[×]，×××译，出版年份：《×××××××××××××》，出版社

□□10□，××××××××××××

作者姓名书名出版社

五号

□□12□作者姓名，出版年份：《××××××》，《××××××××》，第×期，第×-×页

汉语论文题目 汉语杂志名称 阿 拉 伯 数 码

□□18□作者姓名，《××××××××××》，××××××××

Times New Roman 五号

(见下范例)

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英美文学课程论文

论文题目：The Painfulness of Growing Up----On the

成长的痛——霍尔顿·科尔菲尔德人物分析

学生姓名：

学 号：

班 级：

完成日期：20xx年 月 日

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The Painfulness of Growing Up----On the Character of

Holton Caulfield

Abstract

The Catcher in the Rye is the masterpiece of J.D.Salinger. It has gained the influence and reputation all over the world for a long period. This paper analyses the personality of the protagonist, Holden Caulfield, who is a controversial character among many of the literature characters. The key point is to analyze the inner world and the real world where he lives by using the theory of Freud Sigmund. It focuses on Holton‘s repulsion towards the real world but meanwhile he has no choice but to grow up in it with painfulness and perplexity. According to Freud’s id，ego，superego，this paper shows the reason why Holton wants to escape from this world and to be a catcher in the rye.

Key words: personality, painfulness, id, ego, superego

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成长的痛—霍尔顿·科尔菲尔德人物分析

内容摘要

《麦田里的守望者》是塞林格的成名之作。该作品很长一段时期在全世界具有很大的影响力和声誉。在所有文学人物中，主人公霍尔顿·科尔菲尔德是个充满争议的人物角色，本文对其进行深度剖析。文章着重运用弗洛伊德西戈蒙的理论来分析人物内心世界和所处的现实世界。关键点在于分析霍尔顿对现实世界的抵触厌恶，但同时他又别无选择的成长于痛苦和彷徨之中。根据弗洛伊德的本我自我超我理论，本篇论文体现了霍尔顿想逃离这个世界和梦想当一个麦田守望者的原因。本文从这一点上具有很深的研究价值。

关键词： 性格 痛苦 本我 自我 超我

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Content

1. Introduction……………………………………………………………………..1

1.1 Introduction of J. D. Salinger ………………………………………………..1

1.2 Introduction of The Catcher in the Rye …………………………...…………3

2. Social Background of This Novel …………………………………..………….3

3. The Psychological World of Holton Caulfield …………………………..……..5

3.1 Id—the Purity and Innocence of Holton …………………………….………5

3.2 Ego---the Antipathy to the Real World ………………………………..……..6

3.3. Superego---the Dream of Holden: to Be a Catcher in the Rye ……………...8

4. The Reality of the Society …………………………………………….………..9

4.1 A World Filled with Hypocrisy and Money Worship ……………….……….9

4.2 Innocence and Selflessness of Children’s World ………………….………..10

5. The Reasons for Holden’s Problem……………………………………………11

5.1 The Popularity of His Age .…………………………………………………11

5.2 Lack of Love and Understanding from His Family..………………………..12

6. Conclusion ……………………………………………………………………...13

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The Painfulness of Growing Up

----On the Character of Holden Caulfield

( Main Body)

……..

…….

……

Reference

1 J.D.塞林格[美]施咸荣 译，19xx年2月,《麦田里的守望者》，译林出版社

2 Salinger J.D. The Catcher in the Rye ,E-book

3 朱永涛，《英语国家社会与文化入门》（下），高等教育出版社,第五章

4 Litz, A.W. Modern American Fiction [M]. New York：Oxford University

5 弗洛伊德[奥地利]，高觉敷 译，19xx年12月第1版 《精神分析引论新编》，商务印书馆 6 /lit/catcher/characters.html

7 /lit/catcher/themes.html

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