篇一 :《喜福会》读后感

从隔阂到相知

——从《喜福会》中探索美籍华裔母女关系的转变

华裔文学作品已经逐渐赢得了西方文学评论家的认可,这些很大程度上归功于华裔女性作家的作品。最近,我重温了华裔著名作家谭恩美的一部极具代表性的作品《喜福会》,其中探索了四位ABC(American Born Chinese)女儿们与母亲们的文化冲突,以及母女关系的转变。 喜福会这个名字是四位第一代华人移民的四个母亲,在生活工作之余组成的麻将小组名字。小说分别描写了,这四位各自走出命运阴影的母亲们漂洋过海来到异乡的国土,为了适应新环境,不得不在传统的中国文化上形成自己的人格,但是在骨子里渗透着的还是几千年来传统的教育和思想;而同时,第二代ABC女儿们虽然有着同样的黄皮肤、黑头发的东方特征,他们从小的教育环境为他们注入的是西方的文化气质。这些反差使母女之间产生了不少隔阂,无论是在教育、生活、工作还是婚姻上都出现了诸多冲突。有趣的是,在种种因素的促成下,特别是传统文化的诱因下,母女关系得到了改善,真正走上了相知相容。 其中,最主要的原因是母亲和女儿们成长的环境背景的不同。母亲们生长在解放前的旧中国,深受中国传统文化的影响,各自背后都有一些不为人所知的痛苦经历。虽然来到异乡,但是内心的保有的仍然是中国传统女性的特性——相夫教子、贤惠守理。相反的,女儿们却生活在女权运动的美国社会,倡导的是男女平等、自由开放,在这样的欧美文化占主流的社会中,他们不可避免地认同这种文化,因而在看到家庭、工作等问题上与传统的母亲们截然想法。其次,生活在白人社会的美国,黄皮肤黑头发的女儿们虽然内心认同西方的文化,但是外貌特征的不同,让他们多少产生些许身份认同的困惑,他们心中视美国为自己的祖国,竭力想摆脱华人身份,成为地道的美国人。这些促使他们反抗母亲强加给他们的中华文化价值观,努力工作融入西方社会主流。特别表现在在择偶婚姻上,她们更倾向于嫁给金发碧眼的白人,而不是中国人。对于母亲们一直提到的中国,感到的只是陌生和不解。可以说,母女的关系冲突,更多的是中国传统文化价值观和西方主流价值观之间的碰撞。

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篇二 :喜福会 英文观后感

The Joy Luck Club

The Joy Luck Club is one of the my favourite movies, it begins with the main character Ah muir, just returning to the United States from the mainland visit, caught up with a party whose members are all her mother’s lifetime friends and their daughters when mother was still alive. Ah muir is playing mahjong with aunts, sitting in the seat which was her mother’s before. All the four people on the table, with different characters, have their own pains and struggling stories behind. Aunt Lin’s smartness and strongness let herself get rid of the identity as a child bride, striving to today's position; Aunt yingying has unbearable memories in the past, so she hopes her daughter will be bravely being herself; Aunt Anmei was influenced by his mother, knowing to make voices in front of the fate of unfair; While ah muir's mother, because of the war, got apart from her little children accidentally. Four women are all surviving from the poor, getting through trails and tribulations.They don't want their own daughter to repeat their tragedies.

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篇三 :喜福会观后感

喜福会

身为女性,一直对女性意识的主题很感兴趣。《喜福会》这部电影就以四对母女关系探讨了女性意识的时代流变,对于女性的弱者的地位,与女性为求改变的不断抗争,进行了描摹。

旧中国的妇女,与美国的新时代女性,绵延半个多世纪,甚至将近一个世纪,女性在不断的找寻自己的位置,从被压迫与被欺凌的旧中国,到女性可以参与社会事务与男人平起平坐的、号称世界上最民主最开放的美国,可说是两重天,这个电影,给了我们展示女性地位变化、人格命运演变的最好的舞台。 女性找到真实的自我了吗?从外表上看,女儿们不再有母亲所要经受的父权与夫权的压迫,而精神上呢,女性自身对自身的束缚,却并未远离。

从血缘中,从慢慢追述的历史中,母亲们期望着的是,自己身上的悲剧不再重演,可是那些创伤已经渗入她们的骨髓,在对女儿们的教育中,她们将那些过高的期望、被压迫者过分的敏感与自尊一股脑压在女儿的身上,结果,造成了母女之间深深的隔阂,以及女儿残缺的人格。

周彩芹演的林朵阿姨,是个性鲜明、开朗直爽的母亲,从小靠自己的力量从包办婚姻中逃离,到了美国后,对女儿寄予了极高的期望,女儿有下国际象棋的天赋,得冠后照片被登上杂志封面,这位兴奋的母亲就一路拉着孩子向人夸耀,孩子并不喜欢,母亲就冷眼相向,当孩子向她请求谅解,想继续下棋,她却说了一句,想下就下没那么简单,这句气话,挫伤了女儿的自信,从此她觉得天赋远离了她,再也没赢过,不肯低头的母亲,就这样把孩子的信心给毁了。

女性的抗争,体现在家庭的这一层面,以女儿作为载体,结果是对女儿的成长造成了创伤,不仅不会成功,反而是女性对女性的进一步伤害,目的过于明确的教育,把自己的好强强加于女儿身上,是对另一个独立的心灵施加的强权,剥夺了灵魂独立性的教育,并不能实现自己的目的,却使得母女之间产生了深深的代沟,女儿们的心灵在畸形的教育下扭曲,成为心灵上的弱者,这是女性对女性的伤害。

心灵上的弱者,是真正的弱者。回看母亲当年,面临着体制的社会的压迫,她们以自己的聪明才智进行了抗争,并成功地从那里逃离,为自己找到了自由,而她们在女儿的心里造成的伤口,却令女儿们找不到自己。结果,四个女儿都走了弯路,或者婚姻不幸,或者生活失去目标,之所以成了“不完整”的人,是因为她们的人格不完整,是扭曲的,一直都为别人活着,或者是为母亲,或者是为丈夫,而从未想过按自己真实的意愿去活。

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篇四 :喜福会观后感

全片以旅美的四对华裔母女为中心,分别描述她们几个家庭在近百年来的遭遇,从而对比出中国女性从受尽辛酸屈辱的祖母辈逐渐成长为具有独立人格和经济地位的新一代女性。主要情节是温明娜饰演的琼原来跟母亲有很深的误会,但当她代替已去世的母亲回中国大陆探望两个当年在抗战逃难时被遗弃的姊姊时,却深深感受到上一代的苦难和割断不了的亲情。 Set in the my American journey to Chinese center for four respectively, and their family in several described the encounter, which nearly 100 years compared women from out of China suffered humiliation grandmother generation poignancy for growing with independent

personality and economic status of the new generation of women. The main plot is playing WenMingNa with mother has deep Jon originally the misunderstanding, but when she already died mother back to replace in Chinese mainland refugees in Anti-Japanese War visit two of abandoned sister when, but deeply impressed when the generation of suffering and cut off not affection.

书中的四个中国母亲,都是19xx年离开中国大陆来到旧金山的,她们每个人都

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篇五 :喜福会观后感

喜福会观后感(附英文观后感)简介:《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。.喜福会观后感(附英文观后感)正文:" The Joy Luck Club" is about the four Chinese immigrant women and their children grew up in the United States between the respective story. The title of the novel" the Joy Luck Club" is the original mothers played mahjong party. These women moved to the United States for decades, but they still think constantly of raised by traditional education, abide by the Chinese for thousands of years the penetration in the blood, women have become almost feudal patriarchal ideology nature. Their common ideal is to strict education, over his daughter, so they can escape their this generation of women's destiny, they become the eyes of a happy woman. However, the mother of the bundle, the girls in their different ways a revolt, in this race, class, gender inequality in American society, two generations of women staged a fight each other to reach the same goal by different routes, by mutual recognition of tragicomedy. In the tragedy and comedy, the deepest impression is not character mouth lay things, but they cannot speak, those unable to touch, carefully conceal mentioning things, is the silence behind something. Here, silence has become a symbol, its huge destructive power to destroy the existence of female self-esteem, self-confidence and courage, so that they are suppressed in the heavy loss of the ability to survive. However once the silence is broken, the destructive power will immediately disappear, have been suppressed for a long time will be the recovery of human nature, the relationship between balance and harmony will be restored. " The Joy Luck Club" in they and most of the tales are silent and breaking the silence on the main line of weaving together

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篇六 :喜福会英文观后感

My Reflection of The Joy Luck Club

I wonder that when seeing the name The Joy Luck Club most people would treat it as a story filled with happiness and love. In fact, besides love, it is also about the cultural conflicts between four daughters and their mothers.

The film is based on the best seller by Amy Tan of the same name. It shows us the lives of four Chinese women who were immigrants to America during the 1950s. As a mother, each of them has a lot of problems with their daughter because of cultural conflicts. The misunderstanding of love between the mothers and their American-raised daughters, the clash between the generations and cultures, and the struggle for the women to fight for equity touch every audience’s heart. Though I was also attracted by something with extensiveness——I want to talk about some points about the language.

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篇七 :喜福会观后感

从《喜福会》看跨文化交流

电影《喜福会》(The Joy Luck Club)以插叙的方式和细腻的手法将四对华裔母女的故事缓缓道出。四位母亲,她们生长在中国,准确的说是生长在解放前的旧中国,而她们每一位的心中都深藏着一些不幸的遭遇和或多或少悲痛的回忆。四个女儿,她们生长在美国,接受美国的教育和文化,竭力融入美国社会,她们一方面抗拒母亲的施加给她们的希冀,另一方面身上已经不可避免地带有了母亲潜移默化对她们的影响。

片头的独白说“老妇人记得多年前于上海,曾花费不菲买下一只天鹅。??旅途中,她告诉天鹅说,在美国我会有个像我的女儿,在那儿,她无需仰仗丈夫鼻息度日;没人会看低她,因为她将说得一口流利的英文;我要她成为一只比期望中还要好上一百倍的天鹅。??这羽毛虽不值钱,却是来自遥远的国度,一直载负着我的期盼。” 这一根鹅毛承载的是母亲沉甸甸的期盼,她不希望发生在自己身上的悲剧重演,希望女儿不像她一样是只不起眼的鸭子被人驱赶,她希望女儿成为一只高贵的天鹅自由自在。母亲希望女儿能承袭她的愿望和期盼,能过上母亲理想中的天鹅般的生活。

“她们忧心忡忡,虽然女儿们已经说得一口流利的英文,但却轻忽了她们来到美国的梦想。”女儿们在这一场文化冲突和交融中艰难地寻找属于自己的文化身份而不得。同时这一场文化冲突和交融集中表现为四对母女在相处中的矛盾、误解以及沉默。女儿们想极力摆脱中国式的文化模式,但最终还是无法超越自己的文化之根,仍落入与母亲相似的命运中去了。“我们宛如上楼梯,一步又一步,或上或下,永远重复着相同的命运。”所幸,最终母女们能坦诚地交流,女儿们理解了母亲们的苦心,母亲们也卸下了心中的担忧。这一场跨文化的交流终于有了好的结果。

这是一部改编自华裔作家小说,由华裔导演执拍,由华裔演员主演的好莱坞电影。因此整部戏处处可见跨文化交流、传播以及冲突中的真实细节。首先是语言,影片以英语为主,母女间的对话也都是英语,主人公君还要求阿姨们不许讲中文以防她们打麻将作弊。因为君(包括其他的女儿们)听不懂中文、看不懂中文,也不会说中文。语言有很多种作用,包括交际、情感表达、表达身份,还有区分文化。母亲和女儿语言上的隔阂也是造成她们多年来交流失语的一大重要因素。并非母语的英语或许难以传达母亲们的良苦用心,更难以向女儿们传递传统的文化。其次是喜福会,喜福会是君的母亲苏一手操办起来的,是每周联络起四个母亲的一场重要的聚会。母亲们在喜福会里寻找文化的认同和慰藉,在这里她们可以打麻将,可以做中国菜,可以用中文拉家常。这一种聚会的形式和意义类似于同乡会。这是外国人所没有的。每一个中国人都或多或少有一点乡土情结,他们的根深深地种在中国的土地里,种在家乡的土地里。不管走得多远,那一缕的乡思也会牵扯着出门在外的游子,引他们频频回望故乡。中国人对族群文化很看重,有很强的过去时间导向,所以不仅是海外,国内的各个省市也都有大大小小的同乡会存在。一群有相近文化背景的人能够通过同乡会寻求陪伴和慰藉,也能更好地保存下他们的传统文化。然后是高低语境,当安美阿姨端出她的拿手菜——蒸鱼时,她说“这道菜做的不好,味道有些淡,请包涵”,这是中国人表示礼貌的自谦,或者说是极其含蓄的自夸。而不懂中国文化的理查则理解为蒸鱼的确味道不好,自作主张地帮安美阿姨倒了许多酱油在菜里。当然后果是非常尴尬的了。这一场景很充分地表现了不同文化间的高低语境。在高背景文化中,一条信息的语言部分所包含的信息比较少,而大部分信息隐含在沟通接触的过程中,涉及到参与沟通人员的背景、所属社团及其基本价值观,比如亚洲国家和拉丁美洲国家。而在低背景文化中,信息表达比较直接明确,语言是沟通中大部分信息的载体,比如美国、德国和斯堪的纳维亚国家。所以处于低背景文化的理查自然不

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篇八 :喜福会观后感

喜福会观后感(附英文观后感)简介:《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。.喜福会观后感(附英文观后感)正文:" The Joy Luck Club" is about the four Chinese immigrant women and their children grew up in the United States between the respective story. The title of the novel" the Joy Luck Club" is the original mothers played mahjong party. These women moved to the United States for decades, but they still think constantly of raised by traditional education, abide by the Chinese for thousands of years the penetration in the blood, women have become almost feudal patriarchal ideology nature. Their common ideal is to strict education, over his daughter, so they can escape their this generation of women's destiny, they become the eyes of a happy woman. However, the mother of the bundle, the girls in their different ways a revolt, in this race, class, gender inequality in American society, two generations of women staged a fight each other to reach the same goal by different routes, by mutual recognition of tragicomedy. In the tragedy and comedy, the deepest impression is not character mouth lay things, but they cannot speak, those unable to touch, carefully conceal mentioning things, is the silence behind something. Here, silence has become a symbol, its huge destructive power to destroy the existence of female self-esteem, self-confidence and courage, so that they are suppressed in the heavy loss of the ability to survive. However once the silence is broken, the destructive power will immediately disappear, have been suppressed for a long time will be the recovery of human nature, the relationship between balance and harmony will be restored. " The Joy Luck Club" in they and most of the tales are silent and breaking the silence on the main line of weaving together

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